brevity

Archive for April, 2008

If You’ve Got Some Free Time This Weekend, Write a Book

In Nonfiction Books on April 26, 2008 at 7:32 am

I don’t know: is this success for those of us who stoke the fires of the creative writing world, or something very different?

From the New York Times:

In 2007, a whopping 400,000 books were published or distributed in the United States, up from 300,000 in 2006, according to the industry tracker Bowker, which attributed the sharp rise to the number of print-on-demand books and reprints of out-of-print titles.

University writing programs are thriving, while writers’ conferences abound, offering aspiring authors a chance to network and “workshop” their work.

The blog tracker Technorati estimates that 175,000 new blogs are created worldwide each day (with a lucky few bloggers getting book deals). And the same N.E.A. study found that 7 percent of adults polled, or 15 million people, did creative writing, mostly “for personal fulfillment.”

Hey, We Thought of it First!

In Brevity Updates, online journals, the essay on April 23, 2008 at 6:29 am

From the New York Times:

“In a time of glut and waste on every front, compression and economy have undeniable appeal. And if a great work of art is one that is essential in all its parts, that has nothing superfluous or that can be subtracted, working small may improve the odds.”

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To be honest, though, they are talking about painting, not writing.

Miley’s Memoir

In Uncategorized on April 22, 2008 at 8:46 pm

Wow. And I thought I was too young to write a memoir… 

http://music.yahoo.com/read/news/45612992

Any thoughts?

-Rachael

Whose story deserves telling?

In Nonfiction Books, memoir on April 21, 2008 at 9:48 pm

A friend told me not too long ago that she’s volunteering an hour every week to typing and editing an elderly man’s memoir (his wife jokes that she’s going to write her memoir next). Perhaps my friend should go into business, according to a recent article on CNN.com, “Everybody has a story–but is it worth telling?”

http://www.cnn.com/2008/SHOWBIZ/books/04/15/memoirs/

The article weighs the value of the most recent memoirs to flood the market (from Julie Andrews’ Home to Tori Spelling’s Stori Telling) and considers the reasons for the trend (like Oprah’s ministry of hope), citing the opinions of other writers and publishing executives alike. But the question still lingers by the article’s end: Whose story deserves telling?

–Rachael

You Talking to Me?

In Teaching Resources, creative nonfiction, memoir, the essay on April 17, 2008 at 2:19 pm

BREVITY’S NEW MANAGING EDITOR WEIGHS IN:

Indeed, Frey’s invitation to leave him a message [See previous blog post Give Big Jim a Piece of Your Mind] is a curious move on his part, and one that deserves some consideration. Specifically, I’m interested in how this new “forum” (to speak to Frey directly) differs from, say, an invitation to blog about him. Yes, it has a ring of, “You got something to say, say it to my face” (I think it’s reasonable to acknowledge this tension is present, even to a small degree, no matter how much Frey prostrates before us). But more than that, it’s an interesting rhetorical tactic, garnering more positive reaction than not. (Raising another question: Why does support find its way to Frey’s voice mail, and the criticism, in blogs and classroom conversations? I confess, I don’t have any plans to call Frey up after I’m done typing this… Does my criticism carry any agency, then?)

Once again, Frey has subverted our expectations of the author. It’s maddening, yes. But is it not also a little exciting from a critical perspective? The author is NOT dead–not in popular literature, anyway (no matter how much we’d like to kill him). He is very much alive and taking our calls. All of this is to say, instead of criticizing Frey and, in turn, our culture, I think it’s more interesting (productive?) to critique the meaning of this subversion and, especially, our reactions to it. What better fodder for the essay?

- Rachael

Of Huge Clown Feet and Sex Chairs

In Brevity Updates, Brevity contributors, creative nonfiction, memoir on April 17, 2008 at 9:52 am

We’re happy to throw up a big huzzah for Brevity contributor Lori Jakiela (Brevity 11) who pretty much stole the show in Sunday’s New York Times with her Modern Love essay:

April 13, 2008

The Plain, Unmarked Box Arrived

By LORI JAKIELA

THE night we ordered the sex chair, we’d been drinking. Not a lot, but enough to make a sex chair seem like an investment, like junk bonds or an I.R.A.

—–

READ the whole essay here: The Plain, Unmarked Box Arrived

or dig out your Sunday paper before the recycling truck arrives. Wonderful stuff.

..

Give Big Jim a Piece of Your Mind

In Nonfiction Books, memoir on April 14, 2008 at 8:58 am

I’m not sure if this is sign of mental instability or pure genius, but our friend James Frey (author of the memoirs A Million Little Totally Made-Up Pieces and Leonard: My Inspirational Best Friend from Jail Though I Wasn’t Really in Jail) has a blog and voicemail, and he is urging you to leave him a message:

Just call (917) 720-7510
(Be cool Be Nasty Say whatever you want)


Yes, he is inviting abuse, and if you wish you can even listen to what everyone says: http://bigjimindustries.com/saynow2.php

But the disturbing part is that most people are calling in to say nice things like “you are the literary voice of this century” and “despite the critics, your books rock.”

Of course, all of this underway to create a groundswell of interest in his first new third novel:

**** BUY IT HERE ****

Who Among Us Has Not Fantasized about the Exotic Life of a Travel Writer?

In Nonfiction Books, creative nonfiction on April 13, 2008 at 2:15 pm

(CNN) — A Lonely Planet author says he plagiarized or made up portions of the popular travel guidebooks and dealt drugs to supplement poor pay, an Australian newspaper reported Sunday.

Thomas Kohnstamm, who has written a book on his misadventures, also said he didn’t travel to Colombia to write the guidebook on the country because “they didn’t pay me enough,” The Daily Telegraph reported.

“I wrote the book in San Francisco [California],” he is quoted as saying in the Telegraph. “I got the information from a chick I was dating — an intern in the Colombian Consulate.” The 32-year-old Seattle, Washington, native also claims he accepted free travel, which is a violation of the company’s policy. Kohnstamm has worked on more than a dozen books for Lonely Planet, including its titles on Brazil, Colombia, the Caribbean, Venezuela, Chile and South America.

Liked Brevity, But Found This Excessive

In Nonfiction Books, Teaching Resources, book reviews, creative nonfiction, memoir on April 11, 2008 at 8:37 am

Sort of funny though!

On Truth in Memoir: Remembrance and Amnesia

In Nonfiction Books, Teaching Resources, creative nonfiction, memoir on April 9, 2008 at 8:35 am

(Another note from Gary Presley, author of the Brevity essay Proselegy and Coda)

Funny things happen on the bumpy road from life to death, and being mauled by a grizzly bear would rank far down on my list of incidents to include in a memoir. But as part of a discussion group focused on creative nonfiction piece, I did read an interesting take on a bloody confrontation with Ursus arctos horribilis.

One member of the group asked, “Why do we read this stuff?” I knew what she meant. When I was a kid, I was a worry wart, and a kindly teacher once told me “Sufficient unto the day are the troubles thereof,” which I learned later she borrowed from the Holy Carpenter.

But the question also made me realize that I believe reading for information and knowledge may be secondary in the human dynamic. I think we crave Story. I think we seek to fill the same need once expressed around campfires thousands of years ago – when we had nothing to protect ourselves from grizzly bears and other things intent on blood and slaughter but a flint-pointed stick.

The thing is, every person has more than one Story, and sometimes, at least for me, I write and rewrite and edit so much that I feel as I’m drifting away from those memories that comprise who I am. By that I mean the the internal narrative I relate to myself, the film strip that unwinds in memory as I subjectively reconstruct what happened.

I begin to think, “Is it a true internal narrative, at least in the sense that readers will understand as true.”

Hold on now — I’m not going to go all Peggy Seltzer on you.

The quality I am attempting to describe is more akin to remembrance. We humans are prone to back-construct a narrative, one often more dramatic than what actually occurred – primarily because we need a memory with which we can live without huddling in a corner crying.

I’m a forgiving sort, and so understanding all the foibles which plague our fragile psyches, I think most internal narratives may consist of both remembrance and amnesia, missing perhaps some things so deeply painful or guilt-inspiring or less-than-heroic that we cannot face, explain, or even understand.

Obviously then, if there is an internal narrative, there is a narrative constructed from outside perceptions.

There are people I know who look through the window into the zoo enclosure where this creature named Gary Presley lives, and they glimpse a beast far different from the one shining in its internal narrative. There are windows for my wife, for my brother, for his wife, for my one-time boss — for every person who knew me “when” and those who knew me “then.”

Like every other human being, I am a prism. No single person (call that person a “biographer,” or classify that person as yourself with the memoirist label) will ever be able to construct a complete and unbiased and entirely truthful narrative of a human life.

I suppose – no, let’s say “I have faith” – that there is be One Mystic Ultimate Truth, but there are many truths. The best we can do is to find the truest part of our own when we want to set down our world on paper.


Gary Presley
http://garypresley.blogspot.com/
http://www.garypresley.net/