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Posts Tagged ‘memoir’

Brenda Miller: On Form and Distance

In Brevity Updates, Brevity contributors, Teaching Resources, book reviews on November 4, 2009 at 10:14 am

You can imagine our excitement last week when Brenda Miller, author of so many beautiful Brevity essays and craft pieces (see here and here and here and here) dropped by the Brevity corporate offices last week as part of her visit to Ohio University’s BA, MA, and PhD in Creative Writing Program.  Brenda gave a wonderful reading from her newest collection, Blessing of the Animals.

Just today, we ran across a fine interview with Brenda in the Seattle Post-Intelligencer.

Q: How much distance do you need from a topic to write elegantly and clearly about it?

A: It depends. For certain things, I still don’t have enough distance, even though the events may have happened thirty years ago. For others, I write about them as they’re happening. In either case, I don’t think it’s the literal time, but the mind’s perspective on the topic or event that creates enough breathing room for something literary to happen on the page. Also: form. If you find the right form, or voice, for a piece, it can provide just the “container” you need for whatever the topic might be. And some of my essays span quite a bit of time; so I might start off by writing about an image from my childhood, which leads me to something quite close in the present day; once I’m on that train I’m not going to jump off.

You can read the full interview here.

On Frank McCourt and the Memoir

In Events, Nonfiction Books, Teaching Resources, memoir on July 25, 2009 at 10:19 am

The NY Times is running a nice series of tributes to Frank McCourt, as they should.  He was a sweet man and a fine writer.  Today, a few prominent writers and editors weigh in on how McCourt influenced the memoir genre.

William Zinsser offers some interesting thoughts:

Frank McCourt’s “Angela’s Ashes” turned things around, along with Mary Karr’s “The Liar’s Club,” Pete Hamill’s “A Drinking Life” and Tobias Wolff’s “This Boy’s Life.”

Those memoirs dealt with childhoods every bit as terrible as those written by the whiners and the bashers, but they were written with love and forgiveness. These writers were as hard on their younger selves as they were on their elders. They were saying, in effect, we come from a tribe of fallible people and we have survived to tell the story.

And I love this, from James Atlas:

I find it moving that it took Frank McCourt until the age of 65 to find his story and work up the nerve to write it. Asked once at a literary panel what he’d been doing all that time, he answered in his still-strong Irish brogue: “Recoverin’.”

– Dinty

Of Huge Clown Feet and Sex Chairs

In Brevity Updates, Brevity contributors, creative nonfiction, memoir on April 17, 2008 at 9:52 am

We’re happy to throw up a big huzzah for Brevity contributor Lori Jakiela (Brevity 11) who pretty much stole the show in Sunday’s New York Times with her Modern Love essay:

April 13, 2008

The Plain, Unmarked Box Arrived

By LORI JAKIELA

THE night we ordered the sex chair, we’d been drinking. Not a lot, but enough to make a sex chair seem like an investment, like junk bonds or an I.R.A.

—–

READ the whole essay here: The Plain, Unmarked Box Arrived

or dig out your Sunday paper before the recycling truck arrives. Wonderful stuff.

..

Liked Brevity, But Found This Excessive

In Nonfiction Books, Teaching Resources, book reviews, creative nonfiction, memoir on April 11, 2008 at 8:37 am

Sort of funny though!

On Truth in Memoir: Remembrance and Amnesia

In Nonfiction Books, Teaching Resources, creative nonfiction, memoir on April 9, 2008 at 8:35 am

(Another note from Gary Presley, author of the Brevity essay Proselegy and Coda)

Funny things happen on the bumpy road from life to death, and being mauled by a grizzly bear would rank far down on my list of incidents to include in a memoir. But as part of a discussion group focused on creative nonfiction piece, I did read an interesting take on a bloody confrontation with Ursus arctos horribilis.

One member of the group asked, “Why do we read this stuff?” I knew what she meant. When I was a kid, I was a worry wart, and a kindly teacher once told me “Sufficient unto the day are the troubles thereof,” which I learned later she borrowed from the Holy Carpenter.

But the question also made me realize that I believe reading for information and knowledge may be secondary in the human dynamic. I think we crave Story. I think we seek to fill the same need once expressed around campfires thousands of years ago – when we had nothing to protect ourselves from grizzly bears and other things intent on blood and slaughter but a flint-pointed stick.

The thing is, every person has more than one Story, and sometimes, at least for me, I write and rewrite and edit so much that I feel as I’m drifting away from those memories that comprise who I am. By that I mean the the internal narrative I relate to myself, the film strip that unwinds in memory as I subjectively reconstruct what happened.

I begin to think, “Is it a true internal narrative, at least in the sense that readers will understand as true.”

Hold on now — I’m not going to go all Peggy Seltzer on you.

The quality I am attempting to describe is more akin to remembrance. We humans are prone to back-construct a narrative, one often more dramatic than what actually occurred – primarily because we need a memory with which we can live without huddling in a corner crying.

I’m a forgiving sort, and so understanding all the foibles which plague our fragile psyches, I think most internal narratives may consist of both remembrance and amnesia, missing perhaps some things so deeply painful or guilt-inspiring or less-than-heroic that we cannot face, explain, or even understand.

Obviously then, if there is an internal narrative, there is a narrative constructed from outside perceptions.

There are people I know who look through the window into the zoo enclosure where this creature named Gary Presley lives, and they glimpse a beast far different from the one shining in its internal narrative. There are windows for my wife, for my brother, for his wife, for my one-time boss — for every person who knew me “when” and those who knew me “then.”

Like every other human being, I am a prism. No single person (call that person a “biographer,” or classify that person as yourself with the memoirist label) will ever be able to construct a complete and unbiased and entirely truthful narrative of a human life.

I suppose – no, let’s say “I have faith” – that there is be One Mystic Ultimate Truth, but there are many truths. The best we can do is to find the truest part of our own when we want to set down our world on paper.


Gary Presley
http://garypresley.blogspot.com/
http://www.garypresley.net/

VCCA: Two Weeks, Free Room and Board. Yay!

In Creative Writing Jobs, Events, memoir, the essay on March 21, 2008 at 7:30 am

Goldfarb Family Fellowship for Nonfiction Writers /Virginia Center for the Creative Arts
A fully funded two-week residency to enable a nonfiction writer to concentrate solely on his or her creative work. This sponsored fellowship is offered each year to one nonfiction writer during the fall scheduling period (October through January). Writers will be provided a private bedroom, separate studio, and three prepared meals a day. The application process is the same as the regular VCCA application process. Deadline May 15.

The River Teeth Literary Nonfiction Prize Series

In Book Contests, Call for Submissions, Nonfiction Books, creative nonfiction, memoir, the essay on January 10, 2008 at 12:33 pm

This prize series has published a few of my favorite recent books. Become one of them?

River Teeth’s editors and editorial board conduct a yearly national contest to identify the best book-length manuscript of literary nonfiction. The winner will receive $1,000 and publication by The University of Nebraska Press. Deadline March 1, 2008

Call for Love

In Call for Submissions, creative nonfiction, memoir, the essay on January 8, 2008 at 9:56 am

StoryQuarterly


Announces the SQ Love Story Contest; open to fiction and nonfiction entries focused on love of all sorts; offering a First Prize of $2,500, a Second Prize of $1,500, a Third Prize of $750, and ten Finalists each will receive $100.

Deadline for entries: March 31, 2008. Guidelines here.