AWP Nonfiction Cheat Sheet: Friday Afternoon

January 28, 2011 § 2 Comments


If you’ve been following along, you  know that by now we’ve all fainted in the lobby:

Friday Noon to 1:15 pm

Nathan Hale Room
Marriott Wardman Park, Lobby Level

F148. Literary Science Writing: Don’t Be Scared. (David Everett, Nancy Shute, James Shreeve, Christopher Joyce) Many nonfiction writers either don’t understand or are afraid of the challenges of writing about science, medicine, technology, or other complicated subjects. But this panel of experienced writers argues that the best science writing can be as ambitious as the best literary writing on any subject. Good science writing, in fact, may be more challenging, because it requires a journalist’s regard for accuracy plus the ability to explain complex subjects with grace, passion, and literary skill.

Executive Room
Omni Shoreham Hotel, West Lobby

F160. Memoir, Spirituality and the Self in the Narcissistic Culture of Our Time. (Elizabeth Kadetsky, Rodger Kamenetz, Farideh Goldin, Julia Spicher Kasdorf) If one believes the detractors, memoir bears responsibility second only to reality TV for fomenting this “narcissistic” age, in Christopher Lasch’s term—an era of therapeutic jargon that celebrates not so much individualism as solipsism, justifying self-absorption as “authenticity” and “awareness.” Here, we consider quests for self-knowledge as linked, rather, to a spiritual project. How can memoir point to places beyond the self—to transcendence, insight or affiliation with human community?

Friday, 1:30 to 2:45 pm

Ambassador Ballroom
Omni Shoreham Hotel, West Lobby

F179. Stranger Than Fiction: The Choice Between Fiction and Nonfiction. (Robin Romm, Kerry Cohen, Pam Houston, Cheryl Strayed, Richard McCann) Most every writer has a personal story to tell. But with memoir comes potential harm—for friends, family, and themselves. Writers often wonder if they could simply change their stories to fiction. How do authors choose between fiction and nonfiction when telling their stories? Can the same story be both fiction and memoir? Five authors who have made such choices will discuss the reasons behind their decisions, and the ramifications of having done so.

Friday, 3 to 4:15 pm

Thurgood Marshall North Room
Marriott Wardman Park, Mezzanine Level

F195. Flinging the Ink Pot: Resisting Messages About Off-Limits Subjects in Memoir. (Jill Christman, Kate Hopper, Paul Lisicky, Joe Mackall, Sue William Silverman) This panel of memoirists will consider what happens when we write about subjects that are commonly lumped together and dismissed by the publishing industry. It seems we shouldn’t talk about abuse, addiction, or parenting of any stripe. Why are certain subjects seen as played out, clichéd, and sensational? We will consider whether we can avoid categorizing giant facets of human experience as literary no-nos, and find our way back to the serious writing of the stories we need to tell.

Friday, 4:30 to 5:45 pm

Harding Room
Marriott Wardman Park, Mezzanine Level

F210. What the Narrator Doesn’t Know: The Importance of Speculation in Narrative. (Jill McCabe Johnson, David Huddle, Dinah Lenney, Lee Martin, Lia Purpura) Should narrators admit what they don’t know? Does ignorance discredit the nonfiction author? Listen to four writers discuss how they use speculation to openly investigate questions, uncover the narrator’s vulnerabilities, delve more deeply into narrative, and intensify plot. Learn how not knowing can build credibility and open possibilities for the author, while inviting the reader to embark with you on a journey of exploration.

Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

F223. Interviewing In My Underwear: Adventures as a Female Memoirist. (Wendy Sumner-Winter, Barrie Jean Borich, Meri Nana-Ama Danquah, Kerry Cohen, Brenda Miller) We’ve all heard that confession is good for the soul, but how about for a woman living in the real world? Six memoirists discuss the familial, professional, social costs and benefits—and everything in between—of being a woman who writes candidly about her body, her physical life, her sex life, her carnal appetites. We will talk about what it is like to navigate our various social and political worlds having told, literally, the naked truth.

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