A Blanket or a Gun

September 29, 2014 § Leave a comment


RankineCitizen-HiResClaudia Rankine’s Citizen: An American Lyric combines essay, image and poetry to describe how mounting racial aggressions in daily life and the media–some intentionally offensive, others errors consistently made–affect a person’s abilities to speak, write, perform, and stay alive.

At BOMB Magazine, Lauren Berlant interviews Ms. Rankine on the daily encounters that make up the “tone” of citizenship, the weaving of fiction and nonfiction, and the use of mixed forms throughout her work:

Tone is an everyday kind of maneuver. It disrupts and communicates aggression, disgust, dis- respect, and humor, among a myriad of possibilities, thereby allowing language to morph into a blanket or a gun. It helps me know how to read the spaces between things. One has an ear out for it always. It’s a thing to be translated. [Your question] presupposes certain expectations for tone in public encounters, places where equality and sharing are legislated to happen, places where one has expectations for justice, for evenhandedness, and for “we are all just people here” indifference. I don’t exactly expect disdain when paying for my bagel. Not at 9 AM in a café, anyway!

The scripts in chapter six seemed necessary to Citizen because one of the questions I often hear is “How did that happen?” as it relates to mind-numbing moments of injustice—the aftermath of Katrina, for example, or juries letting supremacists off with a slap on the wrist for killing black men. It seems obvious, but I don’t think we connect micro-aggressions that indicate the lack of recognition of the black body as a body to the creation and enforcement of laws. Everyone is cool with seeing micro-aggressions as misunderstandings until the same misunderstood person ends up on a jury or running national response teams after a hurricane.

She also discusses the difficulty of attempting to “reroute the content I am living,” within the frame of a world pushing back against her truth.

Read the interview at BOMB.

Ms. Rankine also has a fascinating website. It’s well worth checking out how she presents her visual, collaborative video, spoken, and multi-genre work in a graphic format that frames and reflects her subject matter.

 

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