Truth or Art? “We Want Both!”
July 29, 2016 § 5 Comments
We’ve struggled through the morning trying to come up with a concise summation of Ned Stuckey-French’s discussion of John D’Agata’s latest anthology, The Making of the American Essay, but the truth is that Stuckey-French’s analysis can’t be reduced to a few sentences. He challenges D’Agata’s ideas on the essay and on nonfiction generally, while at the same time giving D’Agata his due for being a provocative thinker and graceful writer. He focuses on the Graywolf anthology trilogy and D’Agata’s outlier theory, but at the same time provides a clear and succinct historical overview of the genre. And he does so with serious thought and consideration, and with wit.
Still and all, we have to give a taste, if only to convince you to click through and read this in its entirety. Here is Stuckey-French on D’Agata’s controversial assertion that facts can and should be be fudged in the literary essay:
The real bogeyman is facts (a.k.a. Truth, or Reality). Here D’Agata’s false either/or, in which facts are pitted against art, raises its ugly head again. “Facts for the sake of facts” is replaced by art for art’s sake. Why must we choose? Like Pooh, when Rabbit asked, “Honey or condensed milk with your bread?” one wants to shout, “Both!”
The full review essay is up at the Los Angeles Review of Books, and it is so worth the reading.