IOTA: Inspirational Space, Inspired Writing

January 9, 2017 § 3 Comments


By Melanie Brooks

zz melanie

Melanie Brooks

In the summers of my childhood, my parents would load our pop-up camper with dented pots and pans, melamine dishes, a Coleman stove, deep, rectangle coolers filled with easy-to-cook food, mosquito coils, sleeping bags, pillows, board games, and whatever else necessary to sustain our family of six for a week in the outdoors. They’d hitch the trailer to our wood-paneled station wagon, load us all in, and set out from our home in Moncton, New Brunswick, to destinations around the Canadian Maritimes. The Bay of Fundy region was a favorite, and we’d often travel by ferry from Blacks Harbour to camp on Deer Island or Grand Manan Island. Day trips would take us to the third of the “Fundy Sisters,” Campobello, for hikes on its pristine trails or visits to the beaches and lighthouses that inhabit the island, home to Franklin Delano Roosevelt’s summer retreat. These vacation days stretched long in the luxury kind of way. Time that in “the real world” rushed us from one necessary thing to the next, took on a different cadence. We were together. We were focused on each other and, for a little while, we were in-tune to the quiet beauty of the world around us. Nostalgic images of these family trips by the sea nestle in the folds of my memory.

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The Roosevelt Cottage, Campobello

Thanks to Iota: The Conference of Short Prose, directed by author Penny Guisinger, these memories reawakened when I spent four days last August in a charming cottage turned conference center overlooking Friar’s Bay in FDR International Park on Campobello Island. Under the guidance of visiting faculty – author and Brevity editor Dinty W. Moore and poet Mark Doty – I dove into the world of crafting short-form prose. Daily workshops, facilitated discussions and nightly readings provided me the opportunity to immerse in community with twenty-six other writers, a fundamental refueling for my motivation to keep plugging away when the confines of my desk and laptop feel lonely.

But, Iota’s setting, this quiet, unassuming New Brunswick Island, also held that familiar tug toward what was once, for me, home. A separate world almost, where people like Theresa, our facility manager, represent nine generations of island residents. A place where life isn’t quite so hurried.

There, embraced by briny air, breeze-rustled leaves, pebbled shores, and panoramic ocean views, I found what I tend to forget I need the most: space. Space to ignore the pull of responsibility to work and family. Space to disconnect from public events and politics. Space to, for just a little while, dwell in simple tranquility. My mind was free to wander in that space to creative intersections where language and images collide to make something meaningful, even beautiful. I wrote. Words. On the page. And some of those words were actually good. Good enough, at least, to take home to work on some more.

How fitting that a conference called “Iota” helped me to understand that surviving this writerly life is not about excess. Sometimes all we need is a bit. A bit of space. A bit of time. To linger a little. To breathe a little. To remember that just a moment can fill us completely.

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This year’s Iota conference will be held July 8-11, with faculty members Abigail Thomas and Debra Marquart. Information on registration can be found on the Iota website.

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Melanie Brooks is a writer and college professor from Nashua, New Hampshire. Her recent work has been published in the Washington PostBustle, The Manifest-Station, Hippocampus MagazineWord Riot, the Huffington PostModern Loss, the Stonecoast Review, and The Recollectors. She was awarded the Michael Steinberg Prize for Nonfiction for Solstice Literary Magazine’s Annual Writing Contest, and her first book, Writing Hard Stories: Celebrated Memoirists Who Shaped Art from Trauma, is forthcoming with Beacon Press in February 2017.

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