On Spry and Flashy Prose

April 20, 2018 § Leave a comment

spry-banner-trans-ish-49Not about Brevity, but about ‘brevity,’ from Elizabeth Hilts at Spry literary magazine (another flash market to consider during our submissions closure):

This might be a bit obvious, right? I mean, c’mon, “brevity” in a series on flash. Yet the fact of it must be addressed. Concise. Exact. Just the right words and only a very few of them (though that seems to be negotiable); the challenge being to express the breadth and depth of a thing fully within the constraints of brevity, to write beautifully, evocatively, to essay a specific truth without succumbing to wordiness.

Poetry does this. The constraints of form and structure seem designed to inspire precision and, by definition, poetry is concentrated. The formality of the genre creates a sort of elegant sparseness, each word “curated” in the most hipster-ish sense of the word. But flash is not poetry, flash is flash so…what? It seems easier to interrogate what flash is not than it is to define what flash is.

Flash is not merely brief, the whole endeavor is much more complex than that. Flash requires the strict attention to form required of poetry but without the illusory “comfort” of rules concerning syntax and tempo and all the rest.

Read the rest here

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