Nobody Cares About Your Dead
June 16, 2020 § 29 Comments
I read a lot of not-yet-published memoirs. As an editor, I’m sometimes the first stop after the first draft:
I needed to write about the crazy year I had. Should I keep working on it?
Sometimes I’m a last resort:
I’ve queried 100 agents and nobody wants my book. Should I just self-publish?
The answer is always another question:
What does your book do for the reader?
Memoir already lacks suspense. We lose the novelist’s standby of “will this character make it?” We know you survived—you wrote a book about it. Most of us are not such brilliant writers that our shining prose fascinates regardless of the subject. Most of us are working hard to raise our storytelling skills to the level of the story’s own power, because raw trauma is not enough.
But there’s a shortcut.
Write a book that does something for the reader.
Write the book that beautifully expresses the pain of your addiction, or the trauma of your childhood, or the desperation of your divorce, but revise it to directly help the reader. Beyond “my story is universal.” Beyond “people need to know this situation exists.”
Yes, one of the gifts of memoir is showing readers “you’re not the only one who felt like this.” But unless we are writing National Book Award-level prose, our personal pain is not enough, no matter how honestly we express it. When a promising manuscript veers from story into eulogy, I sometimes howl internally:
…nobody cares about your kid!
…nobody cares about your pet!
…nobody cares about your dead relative!
Readers are sympathetic, but sympathy for a stranger’s problems doesn’t last 285 pages. Transforming your painful (or joyful!) experience into a book that sells means tying your problem directly to the reader’s own experience, using your writing skill and personal credentials. This does not mean writing self-help, but showing specific, actionable steps the reader might be inspired to take.
What does “do something for the reader” look like in practice?
- Medical memoir: My dad died and it was horrifying and Mom was no help at all and here’s how I navigated a medical system designed to rip us off, and what I learned about myself and about Medicare. Also, I’m hilarious.
The reader gets: OMG my parent had funny death stuff too and I felt so bad laughing but it’s OK to laugh, and wow, I don’t have to pay that bill!
- Death of a child memoir: My kid died and it was horrifying and here’s how I lived in a fantasy world where drug abuse didn’t look like my kid, and what I learned. Also, I’m a brilliant writer.
I’m not the only one who missed the signs and I don’t have to feel dumb and guilty because I see why she did too, and wow! That paragraph puts my grief into words!
- Death of a pet memoir: My dog died and it was sad and here’s what I learned about alternative pet medicine, when to stop medical intervention, and how I knew it was time to let her go. Also, I’m a veterinarian with stories about how others knew when to treat their pet or let them go.
I’m not a terrible pet owner for not buying another kidney for Princess, and wow! Now I have specific ways to process my grief without hearing “it’s only a dog”!
- Family memoir: My grandchild is precocious and I taught myself how to talk about climate change and human destructiveness without crushing a child’s spirit. Also, I’m an educator and will fill you with hope.
I don’t have to be a scientist to have an age-appropriate conversation with my six-year-old about human extinction, and wow! I’m a little more hopeful myself!
Take a look at your own manuscript:
- Is the first chapter backstory and exposition because “No one will understand my family if I don’t tell our history”? We are not as unique as we think. That’s why memoir is “universal.” Cut those pages. Get the reader hooked emotionally. Identify your problem that might also be their problem. Fill in backstory later as needed.
- Got more than two pages in a row about how great someone was, or what living with them was like? A eulogy is not a story. Cut to the best paragraph or the most significant gesture. Show them through actions. Put their greatness in context with your problem. My husband was so thoughtful, when I was widowed I didn’t know how to pay the electric bill and here’s how I navigated that. Or, My dog was so amazing I had to learn how to grieve an animal when she died and here’s what I did.
- Is how you tell your story inspiring, hopeful, or educational? Not textbook or self-help, but can readers productively channel your experience to walk away as better people?
H is for Hawk* teaches readers about falconry and processing grief through new experience. Wild inspires taking a physical journey to purge our past. How to Be Black examines American racism through a personal lens, and the lessons are truly absorbed through comedy.
Pour out your love and tragedy and joy in words. Maybe you’ll have a 285-page eulogy. Maybe it’ll be the first draft of a book you sell. For readers, honoring your dead is not enough. Not your dead mom, your dead kid or your dead dog. Write to honor your love and your kin. Revise to do something for the reader.
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Want to make your writing even better? Join Allison K Williams for the webinar Beautiful Beginnings Brilliant Endings, hosted by Creative Nonfiction August 24th (yes, there’s a replay). Sign up now!

Well, there you go. Point blank. Best advice ever and the very reason I did not send out my first book and am writing a second one, because it took writing a full memoir to learn this lesson. And yes, H is for HAWK is my inspiration, as well as Lab Girl.
I’m so excited about your next book! And yeah, that first book is so often the tuition book…it was for me, too 🙂
Brilliant. Just about perfect and the lesson my thesis advisor was conveying (not quite so clearly) when he told students: “Everybody’s mother dies.” What else are you offering the reader. Thank you. This one gets copied and but into a folder.
So glad it’s useful! Thanks, Jan ❤
What a fabulous post. Such focused, useful advice. Thank you! A keeper for sure.
You’re so welcome!
This is so helpful! Saving this for when I do draft 2!
Happy writing!
This is excellent advice. Two more pieces from Sam Clemens, “Always start your autobiography with the the last ancestor who was justly hanged!” And (paraphrasing), “Never tell the truth, unless you can’t help it!”
LOL happy writing!
Thanks, Allie!
Great info here. Please expand this into a book.
I agree with Paul 🙂
I agree with you both!
Thank you! I’ve got a book on self-editing that will come out March 2021!
This is terrific and I love the “tough love” approach because too often feedback for this subject (guilty!!) tiptoes around the truth of this advice. I’d love more examples of memoirs that do this in the comments….I just read The Recovering, by Leslie Jamison, and she did this.
I’m glad it’s useful – I’ve found one of the ways I can be most helpful to authors is by being relatively unaffected by the real tragedy and focusing on how the tragedy works on the page.
So good. I like the “tough love” approach too. And I agree that Allison should expand this and other posts into a book for us novice writers.
Thank you! My book, Seven Drafts: Self-Edit Like a Pro from Blank Page to Book will come out March 2021 from Woodhall 🙂
Great! I will look forward to it.
This is so good — thanks for today’s post.
You’re welcome – happy writing!
Echoing what others have said here: great tough love, great examples, and great idea to put this (and other posts like it) into a book. You rock.
Great post, and I shared it with other writers in my memoir book group today. I need to print this out and keep it over my computer!
This is brilliant. I especially liked the examples. So much writing advice is delivered as “do this, don’t do that” but doesn’t tell you how.
I’m really looking forward to your book coming out.
Beautiful words, great message!
You very sweetly made writing so simple…
Fantastic, succinct, and for me, very timely advice. Thank you.
[…] and/or National-Book-Award-level prose. Sorry. That’s the breaks. Work on your writing, figure out the reader takeaway, query small presses, consider […]