November 17, 2017 § 3 Comments
Chicago, IL—Slag Glass City, a nonfiction literary journal of the urban essay arts, announces a special call for submissions: Dear City: The Urban Epistolary. Nonfiction prose, photography, and hybrid works submitted for this call are accepted from November 15, 2017—February 15, 2018.
Epistolary essays selected for publication by the 2018 editorial board will be published in the online journal and promoted broadly, as well as considered for publication in the annual miniature print edition.
We seek: creative nonfiction essay-letters addressed to-or-from your city, and/or letters of exchange between cities. Although all essays should inhabit the form and/or intention of an actual letter, Slag Glass City welcomes fresh takes and variations including: mosaic, montage, photographs, soundscape, drawing, image + text, video, audio, and/or hybridity. We have no length requirements and will consider prose from short-short/flash to longform.
Submit all work to our special submission portal: https://tinyurl.com/SlagGlassCity-DearCity. (Visual artists should submit low resolution samples, or contact us to share work too large for the Submittable portal.)
We are open to any perspective on cities, for better-or-worse, from praise-to-critique, from love-to-protest, from application-to-cease-and-desist, and anything in-between. We seek:
Essay-Letters FROM YOUR CITY. For instance: Dear America, This is how it feels to be underwater. Love, Houston. OR Dear President, Would you drink this water? Love, Flint.
Essay-Letters TO YOUR CITY. For instance: Dear Orlando, We are still grieving. OR Dear Dubrovnik, Here is how you heal me.
Epistolary Exchanges BETWEEN CITIES or between people in cities. Collaborative essays are welcome.
Regular submissions are still open October-June. Slag Glass City considers nonfiction prose, graphic narrative, video, audio, soundscape, photography, mixed media, or any other form of essay arts. The prose cannot be previously published, including on author blogs, but visual art may appear on artist’s sites. We are unable to pay contributors, but artists retain all rights, we promote widely, and all work published stays “in-print” online.
Slag Glass City— www.SlagGlassCity.org —is a magazine of essay arts, textual burlesque, and post-industrial forms, edited by Barrie Jean Borich. Published at DePaul University in Chicago, Illinois, we are an international creative nonfiction and multidisciplinary media journal engaged with sustainability, identity, and art in urban environments. The living city is broken and blooming. How will our roof gardens grow?
November 13, 2017 § 16 Comments
We’re trying something new.
The Brevity Podcast is seeking submissions for our One-Minute Memoir episode. We’re looking for ultra-flash nonfiction of 100-150 words (on paper) and up to one minute (recording time). Accepted pieces will be broadcast in our February episode and receive a $25 honorarium.
October 8, 2017 § 1 Comment
A look inside the submission and acceptance process, from Patricia Murphy, Founding Editor of Superstition Review:
We are currently reading submissions for our Tenth Anniversary issue, which will launch December 1. In each issue we feature 10 essays. Our reading period ends October 31.
We have three nonfiction readers: a rotating contributing editor, the founding editor, and our faculty advisor. Using tools in Submittable, each reader adds a “Vote and Note” to each submission. Essays with mostly yes and maybe votes bubble up to what we call “Greens and Grays,” which refers to the color of the submission once it has been given an up-vote. Our team meets each Friday for an hour to discuss the essays in the Green and Gray.
We very often ask for revisions to a piece that has great potential but needs some polish. In fact for Issue 20 already we have accepted two personal essays that took a few rounds of revision between our editors and authors. We find that the authors kindly welcome our feedback and that their work is much improved by the process.
We publish all types of essays but we are particularly interested in stories that are rich in sensory detail. In recent years we might have a bit of an added interest in lyric essays and pieces that show an innovative approach to form.
Some of my favorite pieces from the past ten years include:
Dear Baby,” by Kelle Groom
The Sparkling Future,” by Randon Billings Noble
The Things I Don’t Tell My Mother,” by Allegra Hyde
Rikers Island Workshop ,” by Kamilah Aisha Moon
Contradictions ,” by Patrick Madden
The Wide Open Mouth ,” by Ira Sukrungruang
We hope you will take some time to read the essays we have published over the years, and to submit your work to https://superstitionreview.submittable.com/submit
September 17, 2017 § 2 Comments
From our friends at The Matador Review:
Alternative art and literature magazine The Matador Review is now accepting submissions for the Winter 2018 publication. We publish poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art. The call for submissions will end November 30, 2017.
Our purpose is to promote “alternative work” from both art and literature, and to encourage the new-wave of respect for online publications. In each issue, we offer a selection of work from both emerging and established artists, as well as exclusive interviews and book reviews from creators who are, above all else, provocative. For us, alternative is a way of voice and experience. It is the distinction from what is conventional, and it advocates for a progressive attitude.
When asked by author Angela Yuriko Smith what we’re looking for, Editor-in-Chief JT Lachausse replied:
“We want what you haven’t seen. Allow me to be dramatic: Imagine that every piece of art is represented by a stone. Many stones make up the mountains and buildings, but even more hide beneath the surface. We are so familiar and fond of the overground rocks, but in the caves and oceans-deep, there are stories that tell things wildly. Desperately, furiously, without great laborious sanitizing or editorial puncturing.
Art that seems ridiculous, haughty, aggressive and pathetic. Amateur hour, disjointed comedy, horror shows, family debacles that at first glance seem like New Yorker material, but upon closer inspection offends every cornerstone of ‘fine storytelling’. Not everyone will like it. And that is entirely the point. If you find your pebble at the bottom of a canyon, bring it on over.”
August 3, 2017 § 2 Comments
From our friends at Rose Metal Press:
AUGUST OPEN READING PERIOD
From August 1 through August 31, we will be having an open reading period for full-length hybrid and cross-genre manuscripts. We are interested in short short, flash, and micro-fiction; prose poetry; novels-in-verse or book-length linked narrative poems; flash nonfiction or book-length memoirs-in-shorts; fragmentary works and book-length lyric essays; image and text collaborations and other collaborative work; and other literary works that move beyond traditional genres to find new forms of expression. The best way to see what we mean by hybrid is to take a look at our catalog. We welcome submissions in all styles and on all subjects, and encourage a broad and expansive interpretation of hybridity. Surprise us with your innovation! Manuscripts selected from this reading period will be published by Rose Metal Press in 2019 and beyond.
Manuscripts should be 48 pages or longer. Submissions will be accepted through our Submittable site only. There is a $15 reading fee.
Check out all the reading period details and guidelines here.
Please spread the word to other hybrid genre writers you know!
Submit now through Submittable.
July 12, 2017 § 1 Comment
The fine folks at River Teeth have just announced that acclaimed nonfiction writer Gretel Ehrlich will judge our 2017 book contest.
Gretel Ehrlich’s books have been translated into six different languages. Among her many publications are the essay collections The Solace of Open Spaces (1985) and Islands, the Universe, Home (1991), her memoir, A Match to the Heart (1994), and several books based on her travels. Her awards include: National Endowment for the Arts Creative Writing Fellowship, National Endowment for the Humanities grant, a Whiting Foundation Award, and many others.
The contest winner will receive $1,000 and have his or her manuscript published by The University of New Mexico Press.
Submissions will be accepted until October 15, 2017. All contestants will receive a one-year subscription to River Teeth. For more information on entering please see Contest Guidelines.
June 9, 2017 § Leave a comment
From The Matador Review‘s Public Relations Liaison, Mandy Grathwohl:
Alternative art and literature magazine The Matador Review is now accepting submissions for the Fall 2017 publication. We publish poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art. The call for submissions will end August 31.
Our purpose is to promote “alternative work” from both art and literature, and to encourage the new wave of respect for online publications. In each issue, we offer a selection of work from both emerging and established artists, as well as exclusive interviews and book reviews from creators who are, above all else, provocative. For us, alternative is a way of voice and experience. It is the distinction from what is conventional, and it advocates for a progressive attitude.
Editor-in-Chief JT Lachausse spoke to the Aerogramme Writers’ Studio about Matador’s aesthetic:
For every piece of quality art or literature, there is a home. Some ‘homes’ include work that is regionally or culturally inspired, and some are reserved for particular genders, sexualities, or ethnicities. This sort of exclusivity creates an environment for distinct voices, and due to its distinction, these magazines are considered ‘alternative’ (syn: ‘different’, ‘nonstandard’). What we wanted to do was to open up a home for art and literature that is, in every capacity, unconventional; this could mean a ‘fresh’ voice, or perhaps a peculiar style, or maybe a bizarre subject that would otherwise struggle to find a place willing to parade it. …The Matador Review wants all of your redheaded stepchildren, but we want them on a damn good hair day. And they better not behave.
We look forward to seeing your work!
The Matador Review acquires First North American Serial Rights, and is a non-paying market. More information and contact info on their submissions page.