About the Fourth Genre Steinberg Essay Contest

March 13, 2020 § 2 Comments

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By Carma Hiland

Fourth Genre is offering a $1,000 cash prize for your best nonfiction essay when you submit to the Steinberg Essay contest, and we’ve just extended the deadline until the end of the month! As excited as we are about this contest, as writers ourselves, we also understand the inherent sense of unease that comes with writing contests. There’s something unsettling about bribing authors for their art. Is money the most appealing prize? Is it enticing enough to get an author to release their personal essay into the world, especially into the hands of unfamiliar judges?

Sending an essay into the abyss of the contest system can be stressful in many different ways. All of us on the Fourth Genre editorial team, myself included, have gotten to submission pages and reconsidered whether the submission fee—in this case, $20—is worth the small chance an essay will win or get published. And there are other questions we, as essay readers and writers, tend to ask, such as, should creative writing be so easily commodified? Does exchanging your writing for money cheapen the experience? Is the grueling process of drafting, revising multiple times, and submitting after hovering over the submit button for longer than you’re willing to admit worth the time for the payout?

Joey Franklin, co-editor at Fourth Genre, writes on this system of competition in an article published in the June 2019 issue of Poets & Writers. “For many of us, the real reward for entering a creative writing contest will not be money or publication,” he writes, “but rather the invaluable education that comes with finishing a piece of writing, and the particular clarity that comes from rejection.”

The greater reward is certainly the accomplishment of completing an essay that others may connect with and enjoy. Few of us choose to write out of any monetary motivation. But a little extra cash doesn’t hurt, nor does the chance at publication. In the spirit of clarity, here is a glance into the sorting process at Fourth Genre. During our regular reading period (Aug. 30 through Nov. 30) we receive around 900 essays; however, the normal submission rate for the Steinberg Essay contest drastically drops to 250 submissions. Take advantage of this. Many readers are involved in ranking each essay. Even if you don’t come away with the cash prize, all essays submitted during the contest are eligible to be published in the following issue.

Let us celebrate your writing. Don’t let your nonfiction molder in your documents folder; gain the education that comes with finishing a piece of writing and letting it out into the world. The Steinberg Essay contest is a great opportunity to do that—and could come with monetary rewards, too.

We have extended the deadline for Steinberg contest submissions to March 31st.
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Carma Hiland is assistant managing editor of Fourth Genre.

 

 

Call for Submissions: Adapt This City

November 11, 2019 § 1 Comment

slagFrom Slag Glass Citya nonfiction literary journal of the urban essay arts:

Announcing a special call for submissions: Adapt This City. Nonfiction prose, photography, and hybrid works submitted for this call are accepted from November 5, 2019—February 5, 2020.

Creative nonfiction selected for publication by the 2020 editorial board will be published in the online journal and promoted broadly, as well as considered for publication in the annual miniature print edition.

Here in the Slag Glass City we want to see stories, arguments, lyrics, and reports about 21st century cities transforming, in tiny or tremendous ways. We welcome fresh takes and variations including: mosaic, montage, photographs, soundscape, drawing, image + text, video, audio, and/or hybridity. We have no length requirements and will consider prose from short-short/flash to longform.

As rising shorelines consume cities, as displacement guts neighborhoods, as immigrant families fear deportation raids, as city dwellers fight epic battles for rent control and public school teachers strike, as desert cities burn and hurricanes blow ocean cities off their foundations, how are we adapting? Can the contemporary metropolis adjust to cataclysmic change—the urgent and the everyday, the systemic and the intimate? When we do adapt, who benefits, who pays, and how is the city implicated? Can the old city adapt into the city we need now, without leaving anyone behind?

Write us a city bent on survival.

Submit all work to our special submission portal: https://tinyurl.com/SlagGlassAdaptations. (Visual artists should submit low resolution samples, or contact us to share work too large for the Submittable portal.)

Regular submissions are still open October-June. Slag Glass City considers nonfiction prose, graphic narrative, video, audio, soundscape, photography, mixed media, or any other form of essay arts. The prose cannot be previously published, including on author blogs, but visual art may appear on artist’s sites. We are unable to pay contributors, but artists retain all rights, we promote widely, and all work published stays “in-print” online.

Slag Glass City is a magazine of essay arts, textual burlesque, and post-industrial forms, edited by Barrie Jean Borich. Published at DePaul University in Chicago, Illinois, we are an international creative nonfiction and multidisciplinary media journal engaged with sustainability, identity, and art in urban environments. The living city is broken and blooming. How will our roof gardens grow?

If you have QUESTIONS please email this address: slagglasscity@gmail.com

Image by Carlos ZGZ

Experiences of Disability Issue Open for Submissions

October 1, 2019 § 8 Comments

disability editorsSubmissions are now being accepted for Brevity’s upcoming special issue, “Experiences of Disability,” to be published in September 2020.  You can submit your flash essays here.

For this issue, we invite brief nonfiction submissions (750 words or fewer) that consider all aspects of illness and disability: what it is, what it means, how our understanding of disability is changing. We want essays that explore how disability is learned during childhood, lived over the entire course of a life, and how our changing understanding of disability shapes the way we experience ourselves and others. We are looking for flash essays that explore the lived experience of illness and disability, as well as encounters with ableism, and that show readers a new way to understand the familiar or give voice to underrepresented experiences.

The “Experiences of Disability” issue will be guest edited by Sonya Huber, Keah Brown, and Sarah Fawn Montgomery (shown above). Huber is the author of five books, including the essay collection Pain Woman Takes Your Keys and Other Essays from a Nervous System. Brown is a journalist and author of the essay collection The Pretty One: On Life, Pop Culture & Other Reasons To Fall In Love With Me. Montgomery is the author of the recent memoir Quite Mad: An American Pharma Memoir.

Our anchor author, Esmé Weijun Wang, is the author of the New York Times-bestselling essay collection, The Collected Schizophrenias (2019), for which she won the Graywolf Nonfiction Prize. Her debut novel, The Border of Paradise, was called a Best Book of 2016 by NPR. She was named by Granta as one of the “Best of Young American Novelists” in 2017 and won the Whiting Award in 2018.

Submissions will be accepted through Brevity’s Submittable page until March 1, 2020. Those for whom Submittable is not accessible or for whom the reading fee of $3 would be prohibitive can email their submissions to brevitydislit@gmail.com with the subject formatted as SUBMISSION: (Title) by (Name).

Editors gladly accept donations on the GoFundMe for the Experiences of Disability issue, which has a $1,800 goal for the special Brevity issue. This will pay authors and provide honoraria for anchor authors. Any additional money above this amount will be contributed to Brevity, to help with web-hosting fees and other ongoing expenses.

“Experiences of Disability” – A Brevity Special Issue

September 18, 2019 § 27 Comments

EsmeWang_Media_1

Esmé Weijun Wang

Brevity is excited to announce an upcoming special issue, “Experiences of Disability,” to be published in September 2020 and featuring anchor author Esmé Weijun Wang. The submission period will begin on October 1, 2019.

We invite brief nonfiction submissions that consider all aspects of illness and disability: what it is, what it means, how our understanding of disability is changing. We want essays that explore how disability is learned during childhood, lived over the entire course of a life, and how our changing understanding of disability shapes the way we experience ourselves and others. We are looking for flash essays (750 words or fewer) that explore the lived experience of illness and disability, as well as encounters with ableism, and that show readers a new way to understand the familiar or give voice to underrepresented experiences.

disability editors

Huber, Brown, Montgomery

The “Experiences of Disability” issue will be guest edited by Keah Brown, Sonya Huber, and Sarah Fawn Montgomery. Brown is a journalist and author of the essay collection The Pretty One: On Life, Pop Culture & Other Reasons To Fall In Love With Me. Huber is the author of five books, including the essay collection Pain Woman Takes Your Keys and Other Essays from a Nervous System. Montgomery is the author of the recent memoir Quite Mad: An American Pharma Memoir.

Our anchor author, Esmé Weijun Wang, is a novelist and essayist. She is the author of the New York Times-bestselling essay collection, The Collected Schizophrenias (2019), for which she won the Graywolf Nonfiction Prize. Her debut novel, The Border of Paradise, was called a Best Book of 2016 by NPR. She was named by Granta as one of the “Best of Young American Novelists” in 2017 and won the Whiting Award in 2018.

Submissions will be accepted through Brevity’s Submittable page starting on October 1st.Those for whom Submittable is not accessible or for whom the reading fee of $3 would be prohibitive can email their submissions to brevitydislit@gmail.com with the subject formatted as SUBMISSION: (Title) by (Name).

Editors gladly accept donations on the GoFundMe for the Experiences of Disability issue, which has a $1,800 goal for the special Brevity issue. This will pay authors and provide honoraria for anchor authors. Any additional money above this amount will be contributed to Brevity, to help with web-hosting fees and other ongoing expenses.

Write Funny, Win Money

August 22, 2019 § 9 Comments

Ever wondered how to get into McSweeney’s, the New Yorker’s Shouts and Murmurs, the Belladonna, Slackjaw, or another prestigious humor site? It’s not easy, but it’s not hard—write something very funny, make sure it fits the venue’s tone, send it in.

Step one tends to trip us up. How can you write funny, on demand?

Writing comedy is a learned skill. Yes, some writers start with more talent than others, but it’s not talent that makes an essay hilarious. Humor comes from a great premise (that you thought up after discarding 50 similar-but-not-as-good ideas), a specific point of view (that took a couple of drafts to get to) and tight, focused writing with careful word choices (that took another few drafts to whittle out of the initial bloated, semi-funny word glob).

Here’s a chance to learn the skill, and maybe win some money and/or publish your own comedy writing.

Slackjaw, Medium’s most-read humor publication (90,000+ followers), wants to support humor writers—and aspiring humor writers—everywhere, with their first Humor Writing Challenge.

Most writing contests are set-it-and-forget-it. Send in your work and hope for the best. This one’s different. Participants in the contest will be pitching ideas (so they can choose the best/funniest one to write), getting peer feedback, and re-writing. An online community will provide support and direction to contestants. Even if you don’t have a burning desire to write comedy, this process can introduce you to collaborative idea development, and how to solicit and implement editorial ideas in your own work. Plus, you’ll have deadlines to generate some specific assignments, and motivation to rewrite and sharpen your work.

The judges panel includes comedy writers for The Onion, Comedy Central, The New Yorker, McSweeney’s, etc, and there’s $2000 in cash prizes. Finalists will have their work considered for (paid) publication on Medium, too.

If you want to publish humor writing, or you need a kickstart on your autumn writing plan with a fun, supportive environment, consider signing up for Slackjaw’s Humor Writing Challenge.

Find out more and sign up here.

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Allison K Williams is Brevity‘s Social Media Editor. Find her at Hippocamp Creative Nonfiction Conference this weekend, or follow her on Twitter and Instagram for choice bits of conference writing advice.

Wandering Aengus Press Book Awards

April 29, 2019 § 2 Comments

dandelion-2733649-1920-pixabay_origWandering Aengus Press has launched its inaugural book awards and is now accepting creative nonfiction manuscripts as well as manuscripts in fiction and poetry (and hybrids too). We will publish up to three prize winners this year. The press is dedicated to publishing works to enrich lives and make the world a better place, because why not do as much good as we can in the world with what little time we have?

The deadline to submit is May 31, 2019. The sooner you send in your manuscript, the more time our editors will have to spend with it, so for your own sake, please don’t wait til the last minute.

The Wandering Aengus editors will select the winning manuscripts, and we’ll announce the winners by September 1, 2019. The winning manuscripts will be published as perfect-bound books by Wandering Aengus Press or our imprint, Trail to Table Press, with full distribution via Ingram. Winners will receive 50 copies of their book. Authors will have input into the cover design and interior design.

Learn more and submit your best work at http://wanderingaenguspress.com/index.html.

Kiese Laymon Judges 2019 New Ohio Review Nonfiction Contest

April 12, 2019 § 1 Comment

mississippi-body2By Madison Foltz and David Wanczyk,

We are thrilled to have award-winning memoirist Kiese Laymon as the judge of our 2019 New Ohio Review nonfiction contest. The deadline is April 15. The winner will receive $1000, and this year we are happy to announce that two dozen honorable mention pieces—spread across poetry, fiction, and nonfiction—will be published either in our print magazine or online at newohioreview.org. All entrants receive a one-year subscription.

In his frank, powerful new memoir, Heavy: An American Memoir, Laymon writes about his American experience, about pains both physical and cultural. And as the memoir’s title implies, much of the book deals with Laymon’s struggles with body image.

Martha Anne Toll writes in her review of Heavy for NPR, “Laymon intersperses stories of friends and girlfriends and teachers and books with a narrative about food—both its attraction and revulsion. His body is a character in this memoir, the body of a black man, objectified by the culture, threatened and threatening because of America’s long, ugly history of racial oppression.”

Laymon explores his childhood in Jackson, Mississippi, which was filled with violence, familial betrayal, and beatings, alongside his later expulsion from Millsaps College, a gambling addiction, his eventual graduation from Oberlin, and his battle against racism. Throughout his story, he also links his own writing and struggles to those of authors like Toni Cade Bambara and Richard Wright. Like their work, Heavy is intense, powerful, important. And it’s difficult to read at times. It’s not only the story of a black male body trying to find its place in America, but also the story of all the reasons why that place may never be found. Laymon, with a pulsing, melancholic, hurt-but-indomitable voice, highlights how personal demons and toxic behavior can form a maelstrom within us that can keep us from thriving. “The nation as it is currently constituted,” he writes, “has never dealt with a yesterday or tomorrow where we were radically honest, generous, and tender with each other.”

We are excited to work with Laymon because he is offering that kind of artistic reckoning.

A professor of creative writing and English at the University of Mississippi, Kiese Laymon has authored a full-length novel, Long Division, and a collection of essays titled How to Slowly Kill Yourself and Others in America. His reviews, essays, and stories have appeared in publications such as Vanity FairOxford American, and LitHub, among others. His writing is characterized by razor-sharp observation and reverberant-colloquial eloquence that also exposes his deepest vulnerabilities. And Heavy is an example that pulls no punches.

Please submit your pulls-no-punches essay. Your radically honest memoir. Your generous, tender-funny hybrid form. Your unignorable short-short. Laymon, we think it’s fair to say, has been through plenty. We know he will be excited to see your story.
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Madison Foltz is the New Ohio Review intern and David Wanczyk is editor of New Ohio Review.

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