May 14, 2011 § 1 Comment
Writer/Rose Metal editor Kathleen Rooney interviewed Ander Monson in Redivider some years ago, but we just ran across it this morning, and the interview is a fine one indeed. Monson never fails to be interesting, and Rooney keeps the questions sharp and focused. Here, she asks, “Why does ‘truth’ matter in creative non-fiction? How does it matter? Does it matter?”
AM: It matters because readers feel like it matters. It matters because James Frey got bitch-slapped on national television, because JT LeRoy got sued. It matters because your dad doesn’t really want to show up in your essay. It matters because it’s harder for writers (or, well, me) to write nonfiction, or that it should be for all of us, because there’s so much more self there (especially in essay, and in memoir, don’t even get me started; perhaps we should just stop writing memoirs unless we are ready to sever most of our relationships with the people we write about). And because nonfiction comes without the shroud of invulnerability that fiction implies. The essay or the nonfiction book is about real people. It has claims on factual truth that nothing else does. And the people who show up in my, or anyone’s, nonfiction can track me down and tell me what they think. And they will.
The entire interview can be found right here: —Ander Monson, interviewed by Kathleen Rooney for Redivider
February 25, 2010 § 1 Comment
From The Washington Post:
Kathleen Rooney, a staffer for Sen. Dick Durbin, was fired earlier this month after the release of her latest book, “For You, for You I Am Trilling These Songs.” The autobiographical essays include three chapters about working in a Senate office: insider gossip, staff secrets and a complicated flirtation between the author and her boss, Durbin’s state director in Illinois.
Rooney, 29, has always blended politics and writing. She started as a summer intern in the Democratic senator’s Chicago office in 1999, worked two more summers, then returned full time as a Senate aide in 2007. Along the way, the GW grad published four other books: “Reading With Oprah,” two collections of poetry and a memoir about working as an artist’s model.
The prose hit the fan after Joe Shoemaker, Durbin’s spokesman, saw a short review of the essay collection last month in The Washington Post and bought the book.
“She was a low-level staffer who wasn’t paid very much,” he told us. “She was trying to make a name for herself in literary circles. The office wasn’t going to stand in her way in furthering her career as long as she was able to do her job for us.” He knew about an upcoming novel, but said he had no idea about the essays.
Although no one was named, Shoemaker was disturbed that she had written about the office and especially concerned about the relationship between Rooney and her supervisor: “Once upon a time there was a girl in unrequitable (but not unrequited) love with her boss,” she wrote. “He would place his hand at the base of her neck, or flick her earring, or twist a strand of her hair…”