October 19, 2017 § 8 Comments
When I teach a workshop, I like to audiotape it. Partly so I can send the recording to the class, which takes some of the stress off taking notes and lets everyone participate a little bit more. But also because ItalkamillionmilesanhourifIdon’tstopmyself.
The same thing applies to readings–when I head up for the podium, I leave my phone voice recorder running at my seat. After, I can listen–did I pause in the right places? Was there audience laughter I didn’t make room for? Often, just glancing back at my chair, seeing the phone there, reminds me slow down. Take a breath.
It’s valuable to listen to our own voices. Find out how long that piece really is with audience reactions in it. See if we really sound like a dork (spoiler: usually no). If the recorder is in the audience, it often picks up the kind of supportive murmurs and agreement breaths listeners make when we’re enjoying a story. Those noises aren’t always easy to hear in the moment, when we’re stressed about getting through a piece. And it’s always awesome to re-listen to applause.
As well as being a great tool to improve our own reading, there are places to submit audio stories. The Drum is a fantastic audio literary magazine, and Story Club specializes in nonfiction performance, with the author setting the text after a live show. The Brevity Podcast will be calling for One-Minute Memoirs next week. For all of these, you don’t have to be an audio whiz, but a few simple tricks will help you sound your best.
Check your phone. Phones usually record better than computers if you’re not using a separate microphone, and you probably have a native Voice Memos or Voice Recorder app. On most phones from the last three years, the built-in mic is good enough to get decent live-audience audio, and decent-to-good private taping. Look up where the mic is physically located on your phone, and point that end toward the reader. Try a couple of test recordings to see how close you want to hold it to your face–usually 4-6 inches away is good.
Check your app. On my iPhone, the Voice Memos app keeps going even when the screen locks or if I open another app. But when I’m doing more sophisticated recording with a plug-in microphone and an app called Motiv, the recording stops if the screen goes dark. I found that out the hard, embarrassing, can-I-please-interview-you-again way. Now I turn screen lock to “never” and put the phone in airplane mode. Some phones also stop recording if someone calls or texts. Find out for sure–or just put it in airplane every time.
Pad your space. Recordings are better with less echo. In a public reading, this is out of our control. Setting the phone on a wooden or plastic surface is better than a metal folding chair (they give a slight echo), but it’s not going to make a huge difference for personal recordings. If you’re taping for submission–like, say, the upcoming Brevity call for One-Minute Memoir–test the first paragraph in a couple of spaces to see what sounds best. Rooms with carpet, lower ceilings, and soft furniture work best. Walk-in closets are great. In a pinch, I record in my car (parked and turned off, until it gets so hot I have to take a break) or with a blanket or towel over my head. (Table fort, anyone?)
Repeat. Repeat. Repeat. I always bobble on a few words the first time I read an essay aloud. Plus, speaking into the recorder affects my pace. I try to tape a reading at least three times. Even if I can’t edit, I can at least pick the best take.
Whether you post or submit your work, or just listen for your own edification, taping is a great way to see how you sound. Often, extra lines or awkward phrases jump right out from the audio, or we instinctively smooth out a sentence as we speak it. Why not give it a test run? We’re hoping to hear from you soon, and we’ll tell you how and what next week!
August 31, 2017 § 6 Comments
Surprise! It’s a podcast! We’ve got a few episodes packed and ready from a whirlwind summer of interviews, so we hope you’ll be enjoying (slightly) more frequent listening. Stream the show right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.
Episode #6 features an interview with Donna Talarico-Beerman on the process of becoming a small press, running a conference, and balancing her own writing time in there, too. We’re also talking all things writing conference over the next few episodes, and we’ve got brief on-the-spot interviews from Lee Martin, Sue William Silverman, and some lovely writer-participants from the Postgraduate Writing Conference at Vermont College of Fine Arts.
Show notes and links to people, places and things we’ve discussed are below. Next episode, we’ll be talking with Kristen Arnett about her new book, Felt in the Jaw.
Show Notes: Episode #6 People and Books
Find out more about Donna Talarico-Beerman at her website.
Today’s the last day to submit to Remember in November
Donna’s essay in the Los Angeles Review, Things That Aren’t Theirs
Questions to ask of a character:
What do I wish for?
What do I hope for?
What is my greatest dream?
What is my greatest fear?
August 15, 2017 § 7 Comments
It’s time once again for the intermittent Brevity Podcast! Listen right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.
Episode #5 features an interview with Dinty W. Moore, our very own Editor in Chief and founder of Brevity. Dinty will be keynote speaking at the Hippocamp Creative Nonfiction Conference September 8-10 in Lancaster, Pennsylvania.
Show notes and links to people, places and things we’ve discussed are below. Next episode, we’ll be talking with Donna Talarico-Beerman, Editor in Chief at Hippocampus and the Hippocampus Press.
Show Notes: Episode #5 People and Books
It’s the wrong time of year for Peeps, but catch them around Easter. If you’re looking for Samuel Pepys, find out more here. You can also read his exhaustive diary, one of the great records of 17th-Century London, including eyewitness reports of the Plague and the Great Fire of London.
December 12, 2016 § 1 Comment
It’s time once again for the Brevity Podcast! Listen right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.
Episode #3 features an interview with Rick Moody on form, function, life coaching and how to handle the part of depression that makes one want to walk in front of a bus, without losing access to one’s creative spirit. We also speak with Athena Dixon, editor-in-chief and founder of Linden Avenue Lit, about where and how to find new voices of color, and the evolution of her writing from R&B fan fic to establishing a strong new literary magazine.
Our episode sponsor is the recorded webinar, Developmental Editing for Fiction and Memoir – useful for authors and editors, and available at Editors Canada (note that the price is in CDN$).
Show Notes: Episode #3 People, Books and Places
Athena’s favorite poem, Euphoria by Major Jackson
Athena’s favorite Another Bad Creation song, Jealous Girl. (The band looks like they’re about 9 years old!)
Crossroads: the story of Robert Johnson and the Devil, on Radiolab
November 17, 2016 § 1 Comment
Understandably, we’ve all been a little distracted. But if you’re ready for a break from fighting the good fight, please enjoy the Brevity Podcast’s second episode, featuring interviews with Suzanne Roberts and Andre Dubus III. Some highlights:
- Suzanne reads her powerful piece from Brevity, The Essay Determines How It Will Begin, and talks about where writing is on her list of priorities (it’s not at the top! It’s not even second!).
- Andre discusses making a safe home for his kids in a violent world, and reads a section of his memoir, Townie. He also shares his thoughts on the value of writing about hard family moments, and how writing goes hand in hand with dealing with the actual problem.
- Political content: 0
Stream/download through most podcast apps.
And whether it’s listening to us, or to your children, or writing something messy, or lying on your back and watching the clouds, take a little time today for your writer self.