Listen Up

October 19, 2017 § 8 Comments

Yes, I should pause there…

When I teach a workshop, I like to audiotape it. Partly so I can send the recording to the class, which takes some of the stress off taking notes and lets everyone participate a little bit more. But also because ItalkamillionmilesanhourifIdon’tstopmyself.

The same thing applies to readings–when I head up for the podium, I leave my phone voice recorder running at my seat. After, I can listen–did I pause in the right places? Was there audience laughter I didn’t make room for? Often, just glancing back at my chair, seeing the phone there, reminds me slow down. Take a breath.

It’s valuable to listen to our own voices. Find out how long that piece really is with audience reactions in it. See if we really sound like a dork (spoiler: usually no). If the recorder is in the audience, it often picks up the kind of supportive murmurs and agreement breaths listeners make when we’re enjoying a story. Those noises aren’t always easy to hear in the moment, when we’re stressed about getting through a piece. And it’s always awesome to re-listen to applause.

As well as being a great tool to improve our own reading, there are places to submit audio stories. The Drum is a fantastic audio literary magazine, and Story Club specializes in nonfiction performance, with the author setting the text after a live show. The Brevity Podcast will be calling for One-Minute Memoirs next week. For all of these, you don’t have to be an audio whiz, but a few simple tricks will help you sound your best.

Check your phone. Phones usually record better than computers if you’re not using a separate microphone, and you probably have a native Voice Memos or Voice Recorder app. On most phones from the last three years, the built-in mic is good enough to get decent live-audience audio, and decent-to-good private taping. Look up where the mic is physically located on your phone, and point that end toward the reader. Try a couple of test recordings to see how close you want to hold it to your face–usually 4-6 inches away is good.

Check your app. On my iPhone, the Voice Memos app keeps going even when the screen locks or if I open another app. But when I’m doing more sophisticated recording with a plug-in microphone and an app called Motiv, the recording stops if the screen goes dark. I found that out the hard, embarrassing, can-I-please-interview-you-again way. Now I turn screen lock to “never” and put the phone in airplane mode. Some phones also stop recording if someone calls or texts. Find out for sure–or just put it in airplane every time.

Pad your space. Recordings are better with less echo. In a public reading, this is out of our control. Setting the phone on a wooden or plastic surface is better than a metal folding chair (they give a slight echo), but it’s not going to make a huge difference for personal recordings. If you’re taping for submission–like, say, the upcoming Brevity call for One-Minute Memoir–test the first paragraph in a couple of spaces to see what sounds best. Rooms with carpet, lower ceilings, and soft furniture work best. Walk-in closets are great. In a pinch, I record in my car (parked and turned off, until it gets so hot I have to take a break) or with a blanket or towel over my head. (Table fort, anyone?)

Repeat. Repeat. Repeat. I always bobble on a few words the first time I read an essay aloud. Plus, speaking into the recorder affects my pace. I try to tape a reading at least three times. Even if I can’t edit, I can at least pick the best take.

Whether you post or submit your work, or just listen for your own edification, taping is a great way to see how you sound. Often, extra lines or awkward phrases jump right out from the audio, or we instinctively smooth out a sentence as we speak it. Why not give it a test run? We’re hoping to hear from you soon, and we’ll tell you how and what next week!

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Allison K Williams hosts the Brevity Podcast. Her most recently available audio class is Write Better with Social Media.

Brevity Podcast Episode #6 Donna Talarico-Beerman

August 31, 2017 § 6 Comments

I hope it’s a podcast!

Surprise! It’s a podcast! We’ve got a few episodes packed and ready from a whirlwind summer of interviews, so we hope you’ll be enjoying (slightly) more frequent listening. Stream the show right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.

Episode #6 features an interview with Donna Talarico-Beerman on the process of becoming a small press, running a conference, and balancing her own writing time in there, too. We’re also talking all things writing conference over the next few episodes, and we’ve got brief on-the-spot interviews from Lee Martin, Sue William Silverman, and some lovely writer-participants from the Postgraduate Writing Conference at Vermont College of Fine Arts.

Show notes and links to people, places and things we’ve discussed are below. Next episode, we’ll be talking with Kristen Arnett about her new book, Felt in the Jaw.

Show Notes: Episode #6 People and Books

Find out more about Donna Talarico-Beerman at her website.

Hippocampus magazine, with links to Hippocampus Books and the Hippocamp conference. You can also follow the conference hashtag on Twitter, and many of the sessions will be live-tweeted.

Today’s the last day to submit to Remember in November

High Ed Web

AWP (Association of Writers and Writing Programs)

Mary Karr

Photographer Dave Pidgeon

Donna’s essay in the Los Angeles Review, Things That Aren’t Theirs

Questions to ask of a character:

What do I wish for?
What do I hope for?
What is my greatest dream?
What is my greatest fear?

The Moth

Lancaster Story Slam

VCFA (many writing programs/conferences)
Kenyon Review Writers Workshop
New York Pitch Conference

Lee Martin

Miller Williams

Sue William Silverman

Amy Braun’s Attic Discovery Project

David Jauss

Manual typewriter thanks to theshaggyfreak via freesound.org
Additional music, Later Fruits, thanks to Axletree via freemusicarchive.org

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Allison K Williams is the host of the Brevity Podcast. She’ll also be appearing at Hippocamp for an intensive workshop on Self-Editing and consultations on your pages.

Brevity Podcast Episode #5 Dinty W. Moore

August 15, 2017 § 7 Comments

Dinty W. Moore has always stood out

It’s time once again for the intermittent Brevity Podcast! Listen right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.

Episode #5 features an interview with Dinty W. Moore, our very own Editor in Chief and founder of Brevity. Dinty will be keynote speaking at the Hippocamp Creative Nonfiction Conference September 8-10 in Lancaster, Pennsylvania.

Show notes and links to people, places and things we’ve discussed are below. Next episode, we’ll be talking with Donna Talarico-Beerman, Editor in Chief at Hippocampus and the Hippocampus Press.

Show Notes: Episode #5 People and Books

We’re guessing you already know who Dinty is if you’re here, but you can find out more about the author of The Story Cure at his website, and follow him on Facebook.

The Accidental Buddhist: Mindfulness, Enlightenment, and Sitting Still, American Style

Joan Didion’s books

Kathryn Harrison’s The Kiss

It’s the wrong time of year for Peeps, but catch them around Easter. If you’re looking for Samuel Pepys, find out more here. You can also read his exhaustive diary, one of the great records of 17th-Century London, including eyewitness reports of the Plague and the Great Fire of London.

Sarah Manguso’s books

Judith Kitchen’s books

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Allison K Williams is the host of the Brevity Podcast. She’ll also be appearing at Hippocamp for an intensive workshop on Self-Editing and consultations on your pages.

Brevity Podcast #3 Rick Moody and Athena Dixon

December 12, 2016 § 1 Comment

vintage-bakelite-radio-green_small2jpg2It’s time once again for the Brevity Podcast! Listen right from this post, or click over to iTunes, Soundcloud or Stitcher. If you’re subscribed, we’ll show up in your podcast app queue. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches and recommendations.

Episode #3 features an interview with Rick Moody on form, function, life coaching and how to handle the part of depression that makes one want to walk in front of a bus, without losing access to one’s creative spirit. We also speak with Athena Dixon, editor-in-chief and founder of Linden Avenue Lit, about where and how to find new voices of color, and the evolution of her writing from R&B fan fic to establishing a strong new literary magazine.

Show notes and links to people, places and things we’ve discussed are below. Next month, we’ll be talking with Ander Monson, editor-in-chief of Diagram, and Brian Doyle, author of Mink River.

Our episode sponsor is the recorded webinar, Developmental Editing for Fiction and Memoir – useful for authors and editors, and available at Editors Canada (note that the price is in CDN$).

Show Notes: Episode #3 People, Books and Places

Born and raised in NE Ohio, Athena Dixon has been writing for as long as she can remember. From her first short stories to her very first poem, My Dad is Grand, language has been an immeasurable influence on her life. Through her early days sharing her work in online poetry forums, to her days as an open mic poet, Athena has honed her voice into a carefully considered balance of everyday life, childhood memories, and exquisite wordplay. Athena is founder and editor-in-chief of Linden Avenue Literary Journal, a monthly online publication of poetry, fiction, and creative non-fiction. She is also a poetry reviewer for Fifth Wednesday Journal. She writes, edits, and resides in Philadelphia.

Linden Avenue Literary

Citrine Magazine

Blavity

The Rising Phoenix Review

Major Jackson

Athena’s favorite poem, Euphoria by Major Jackson

Athena’s favorite Another Bad Creation song, Jealous Girl. (The band looks like they’re about 9 years old!)

Rick Moody was born in New York City. He attended Brown and Columbia universities. He has won awards including the Addison Metcalf Award, a Guggenheim Fellowship, the NAMI/ Ken Book Award, and the PEN Martha Albrand Prize for Excellence in Memoir. His short fiction and journalism have been featured in such work as Best American Stories 2001, Best American Essays 2004, and other anthologies. He has released multiple novels including The Ice Storm and Hotels of North America and the memoir The Black Veil, works of short fiction, music albums, and co-founded the Young Lions Book Award. He has taught at the State University of New York at Purchase, the Bennington College Writing Seminars, the Fine Arts Work Center in Provincetown. He lives in Brooklyn, New York with his wife, daughter, and brand new baby son. Write him with your challenges at Rick Moody, Life Coach.
Metonymy: the substitution of the name of an attribute or adjunct for that of the thing meant, for example suit for business executive, or the track for horse racing.

Crossroads: the story of Robert Johnson and the Devil, on Radiolab

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Allison K Williams is a writer and editor based in Dubai, and the host of the Brevity Podcast.

Great (Audio) Moments in Storytelling

December 8, 2016 § 7 Comments

Dive in, then get to the background

Dive in, then get to the background

Hark! The Brevity Podcast sings once again on Monday, with Rick Moody and Athena Dixon gracing our airwaves. To tide you over, here are some of our favorite podcasts–some with amazing storytelling, others with sharp tips on story structure. Download a few for your car time or your dinner prep, and we look forward to sharing our own Episode 3!

 

Story Structure: The ‘e’

Transom has long been an excellent source for both radio-makers and storytellers in other mediums. Their podcast How Sound talks about positioning the narrator, asking good questions–even how to approach difficult interview subjects. This episode addresses a story structure often used in magazine articles and personal essays. It looks like a lowercase ‘e’ and solves the problem of how to get the reader involved right away when you still need backstory. The How Sound team breaks down a specific radio story, stopping and starting to point out the structural elements. Only about 20 minutes long, and a must-listen for anyone struggling with where or when to start an essay.

The Mystery Show: Belt Buckle

Starlee Kine hosts this charming, low-key show in which each episode, she solves a mystery that can’t be figured out on the internet. This is the best of last season’s six episodes, and it is beautiful and heartbreaking and pure delight. Listen when you need some feel-good catharsis that’s still plenty meaningful, and notice how she wraps a whole story around a single, quirky object.

Love & Radio: Jack & Ellen

The sound quality is a little weird at the beginning, but stick it out. This is one of the craziest, most twisted, fascinating and bizarre true stories I’ve ever heard. Anything specific I can tell you would wreck it, but know that it’s about turning the tables on some not-very-nice people. Structurally, this story starts us thinking one thing, turns it into something else, and the takeaway is a different subtext entirely. A good one for when you’re struggling with a deep, layered story. Not safe for work or kids.

Reply All: Perfect Crime

What do you do when you love doing something everyone else hates? Actor Catherine Russell is the one-woman motivation behind the worst-reviewed still-running play in New York. She already knows the audience will walk out puzzled, annoyed, even hostile. So why keep doing it? For when you aren’t really sure if the world is ready for your work (it is).

Podquiz

This has zero to do with storytelling. But if you like quizzes and trivia, and you really, really need to get your brain into a neutral, reasonably positive place, this short weekly quiz is a great way to get the neurons firing. Skip the music played between the main quiz and the answers, it’s always terrible. Or revel in the hideousness. Your call. Then go write something, using the weirdest answer as a prompt.

Happy listening–and take a moment to subscribe to the Brevity Podcast, won’t you? If you’re already a happy listener, please leave us a review!

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Allison K Williams hosts the Brevity Podcast.

ICYMI: Brevity Podcast Episode 2

November 17, 2016 § 1 Comment

andreUnderstandably, we’ve all been a little distracted. But if you’re ready for a break from fighting the good fight, please enjoy the Brevity Podcast’s second episode, featuring interviews with Suzanne Roberts and Andre Dubus III. Some highlights:

  • Suzanne reads her powerful piece from Brevity, The Essay Determines How It Will Begin, and talks about where writing is on her list of priorities (it’s not at the top! It’s not even second!).
  • Andre discusses making a safe home for his kids in a violent world, and reads a section of his memoir, Townie. He also shares his thoughts on the value of writing about hard family moments, and how writing goes hand in hand with dealing with the actual problem.
  • Political content: 0

Find us on iTunes

We’re also on Soundcloud

Stream/download through most podcast apps.

And whether it’s listening to us, or to your children, or writing something messy, or lying on your back and watching the clouds, take a little time today for your writer self.

Love,

Brevity

 

Brevity Podcast #2 Andre Dubus III and Suzanne Roberts

November 7, 2016 § 3 Comments

Bobby socks optimal for best listening experience

Bobby socks optimal for best listening experience

We’re back on the air! This month’s Brevity Podcast is now available right here and on Soundcloud, iTunes and Stitcher. If your fancy technical skills involve RSS feed wrangling, here’s our feed. And wherever you listen or download us, please take a moment to leave a brief review–it helps us show up in searches.

Episode #2 features an interview with Andre Dubus III on his memoir Townie, and the burning question of whether one must have an eventful life in order to write memoir. Suzanne Roberts talks about her retreat program Wordy Girls, and how she figured out that writing was not in fact her first priority.

Next month, we’ll be talking with Rick Moody, author of The Ice Storm and Hotels of North America, and Athena Dixon, editor-in-chief of Linden Avenue.

Who else would you love to hear? Let us know in the comments.

Show Notes: Episode #2 People, Books and Places

Suzanne Roberts’ books include the 2012 National Outdoor Book Award-winning Almost Somewhere: Twenty-Eight Days on the John Muir Trail, and the poetry collections Plotting Temporality, Three Hours to Burn a Body: Poems on Travel, Nothing to You, and Shameless. Her work has been published in many literary journals, including Creative Nonfiction, ZYZZYVA, Fourth River and Gulf Stream, and widely anthologized. Suzanne was named “The Next Great Travel Writer” by National Geographic Traveler Magazine. She teaches at Lake Tahoe Community College and for the low-res MFA programs at Sierra Nevada College and Chatham College.

With Ann Marie Brown and Kim Wyatt, Suzanne offers classes, workshops and retreats for women writers through Wordy Girls.

Suzanne’s essay for Brevity, “The Essay Determines How It Will Begin

 

Andre Dubus III is the author of six books, including the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His most recent book, Dirty Love, published in the fall of 2013, was a New York Times “Notable Book” selection, a New York Times “Editors’ Choice”, a 2013 “Notable Fiction” choice from The Washington Post, and a Kirkus “Starred Best Book of 2013.”

Andre has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, two Pushcart Prizes, and is a 2012 recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches full-time at the University of Massachusetts Lowell. He lives in Massachusetts with his wife, Fontaine, a modern dancer, and their three children.

Writers in Paradise conference at Eckerd College

Edna O’Brien

Johann Wolfgang von Goethe

Nadine Gordimer’s My Son’s Story

Ron Carlson

Flannery O’Connor

Stewart O’Nan

John Irving

Anne Lamott

Richard Russo

Writing and Publishing a Memoir: What the Hell Have I Done?

Tobias Wolff

Tim O’Brien

 

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Allison K Williams hosts and produces the Brevity Podcast, and is the author of Get Published in Literary Magazines.

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