September 13, 2021 § 2 Comments
In 1348, Boccaccio writes in the Decameron, Florence was gripped by plague. Seven young women and three young men (about the ratio of most writing events) meet on a Tuesday morning in the church of Santa Maria Novella. Living in the city right now sucks, they agree, and so they’ll
betake ourselves quietly to our places in the country…and there take such diversion, such delight and such pleasance as we may, without anywise overpassing the bounds of reason. There may we hear the small birds sing, there may we see the hills and plains clad all in green and the fields full of corn wave even as doth the sea; there may we see trees, a thousand sorts, and there is the face of heaven more open to view…
In an isolated hilltop castle, the characters set up quite a life. Servants make their beds with fragrant sheets, bring meals and wine, put flowers on the table. In the afternoons, the ten relax in a shady meadow, but rather than spend their minds on gambling, they decide that every day for ten days, each one of them shall tell a story. Those hundred stories form Boccaccio’s Decameron.
Writers, too, need diversion, delight and pleasance in their surroundings. With retreats, the setting is often as important as the work done there. Bringing ourselves to a new location allows focus and stimulation—and a surprising amount of creative power is unleashed when someone else handles meals.
Brevity’s Editor-in-Chief Dinty W. Moore and Social Media Editor Allison K Williams are leading an October retreat in Boccaccio’s hometown, Certaldo. In a small hilltop castle, on a terrace overlooking Tuscan fields, we’ll help ten writers create their stories every day.
Is it…responsible…to travel overseas right now? Is it risky?
ALLISON: I spent July in Tuscany, went to the USA, and was in Florence again last week. I needed negative PCR tests to board international flights and showed proof of vaccination to enter Italy, to dine inside, and to enter public indoor spaces. Tuscany has half the lowest per-capita Covid rate of any US state, has a fully-vaccinated rate of 63% and climbing, and masking indoors is required and mostly followed. I felt much safer there than in Florida, New York and Pennsylvania.
Much like Boccaccio’s storytellers, we’ll be largely keeping to ourselves, with private airport transfers and our own dining areas and lodging in a small, family hotel. We’ll also be testing before returning home.
What’s the difference between a workshop and a retreat?
DINTY: A Workshop is primarily designed for feedback, where we look at draft pages around a table and ‘critique’ what is working and what is not quite coming across. Our Tuscany experience is instead a Retreat, aimed at both freeing up time to expand the writing and freeing up the necessary head space to think holistically about a large writing project. We will “retreat” from the burdens and distractions of our regular lives, to aim our attention on the joys and struggles of putting words on the page and turning pages into completed books.
What exactly will Allison and Dinty do all week?
DINTY: Some days have formal classes to help get the wheels spinning, and as Retreat leaders, we’ll be sitting down with everyone individually to work through manuscript problems (and opportunities). But we will be available as coaches at every step along the way, to discuss small issues in the text or larger concerns about sustaining your writing project. Plus, we will steer you to some lovely Tuscan destinations when the time comes to relax.
ALLISON: I truly love being “at the table.” When a writer hits a tough spot, we can step out and talk through the challenge, getting them back to the page. We’ll meet with each writer via Zoom before the retreat to make a clear plan for what they want to accomplish (writers can bring an idea, a full draft, or anything in between), and meet again after returning home, to sustain the momentum.
Also, gelato. I will be eating a lot of gelato. Some of it onion-flavored. (It’s a local thing, and way better than it sounds!)
DINTY: I may not be eating the onion gelato. But I’ll be eating gelato for sure!
I’m not ready for this.
ALLISON: That’s OK! We might see you virtually in January, in Costa Rica in Feb/March, or next year in Tuscany! This is not your only chance to retreat with us. Meanwhile, please make time for your work when you can. Check into a local AirBnB for a weekend, or train your family that Wednesday afternoons are sacred. Or focus the emotional power you have on keeping yourself and your family safe in this weird time. Writing will always be there when you come back.
DINTY: These are difficult times. I admit some initial hesitancy about travel right now, but I researched how airlines are enforcing masking and safety and how Italy looks right now and I feel confident, especially given the precautions we will all be taking. A trip like this is just what I need. Maybe it is for you too, but if not, stay safe. We’ll see you another time.
I’m totally ready for this.
DINTY: We still have spots for two writers and we’d love for you to join us. Here are the full details including cost, daily itinerary, FAQ, and photos from the 2019 Rebirth Your Book in Tuscany. Get in touch through the contact form with questions.
At the end of their retreat, one of Boccaccio’s young men says,
I have seen and felt here a continual decency, an unbroken concord and a constant fraternal familiarity… I hold it meet, if it be your pleasure, that we now return whence we came…
That’s what we hope our writers will return with, too.
July 29, 2021 § 14 Comments
You may not be ready to step into the world yet. Or plan travel. Or be around groups of people. And that’s just fine. The Delta variant, angry political arguments, the idea that wanting to protect your own health and others is somehow not a universal given, all of these are frightening.
In this past span of 18+ months we’re sort of calling “a year,” virtual teaching and online workshops have flourished. Suddenly, we’re all able to cater to people who can’t leave their houses for reasons physical or emotional or financial or just because. And it turns out there are great ways to teach online, to interact with students and help students interact with each other.
Yet, many of us still miss personal, human connection without a mediating screen. Gentle crosstalk without a Zoom delay. The warm presence of writerly bodies across a table. Hugs.
Fortunately, whether you’re a staying-home-still or a stepping-into-the-world person, on a budget or ready to spend your accumulated vacation funds, there are upcoming events for you! You might enjoy:
August 13-15 (live) Hippocamp Creative Nonfiction Conference in Lancaster, Pennsylvania. This three-day writing conference features 50+ notable speakers including Athena Dixon, Lilly Dancyger and Marian Winik; engaging sessions focused on writing, publishing, networking and writing life, interactive all-conference panels, author and attendee readings, social activities, networking opps, meals, and optional, intimate pre-conference workshops. Cost is $489 and 8 places remain. More information/register here.
August 21 (virtual) Woodhall Writers Conference. This first-time conference includes small-group workshops with top-notch instructors, enlightening panels on the Future of Publishing and Book Pitches, keynote speeches by inspiring writers, and networking interactions that will help you expand your artistic community. Workshops include: Introduction to Short Forms with Tom Hazuka and Darien Gee, Poetry with Charles Rafferty and Prose Writing with Eugenia Kim. Cost is $175 with a workshop, or $95 for keynotes and panels only. More information/register here.
October 10-17 (live) Rebirth Your Book in Tuscany. Truly excited to travel and write, but want some guidance? Or maybe you just want to write in a castle? Join Brevity’s Editor-in-Chief Dinty W. Moore and Social Media Editor (me!) Allison K Williams for personal coaching, editorial feedback on up to 75 pages, seminars on writing and publishing, live-editing, great food and inspiring scenery, all in a tiny town in the hills outside Florence. Cost is $3250, payment plans available. More information here.
Ongoing (virtual) Low on cash but want to better the business aspect of your work? Enjoy Jane Friedman’s free Sunday Business Sermons. Jane’s frank, friendly style gets to the nuts and bolts of publishing and process. You can watch live upcoming sessions on Using Discord and Better Slide Presentations, or enjoy the recordings of past sessions at Jane’s YouTube channel, including Branding Tips&Tricks and How I Get So Much Done. FREE, no registration needed. Topics list and dates here.
Ongoing (virtual) Creative Nonfiction Magazine offers webinars, live and asynchronous courses, and self-guided courses to generate new writing, stay focused, and create your best work. Upcoming webinars include Byline Boot Camp: Everything You Need to Know to Get Your Short Nonfiction Published with Melissa Petro, and Mind Music: Writing the Lyric Essay with Amy Hassinger. Most webinars are $15 early bird/$25 regular; course prices vary. Find out more/register here.
What are YOU teaching or learning, and when and where and how much? We invite you to share your upcoming events—and events you’re excited about!—in comments.