Disability as Nuance, Disability as Craft

September 16, 2020 § 3 Comments

In the introductory conversation around Brevity‘s special issue on the Experiences of Disability, Sonya Huber asks her fellow guest editors Keah Brown and Sarah Fawn Montgomery to discuss how disability shapes their writing process, including ways in which their disabilities can change and deepen what and how they write:

Sarah Fawn Montgomery: Of course disability impacts my writing by sometimes limiting when, if, or how much writing I can accomplish, but disability also deeply informs my craft. It is subject and structure, influencing everything from framing and pacing, to detail and syntax. Disability has also shifted my writing practice. I know that I might not always be well enough to write, so I take advantage of any opportunities and am grateful rather than critical of the work I produce during this time. I recognize that long stretches of writing time are not always possible and have learned to write in short spurts and in unexpected locations. Sometimes I write daily, but many times I do not, and I do not feel guilty for taking time away to care for my body and brain. I understand this as another kind of writing practice, because caring for ourselves away from the writing eventually allows us to put words on the page.

Keah Brown: Disability impacts and shapes every aspect of my life. I am not just my disability but it is the lens through which I navigate the world. The writing process is no different. Earlier on in my career, I felt beholden to discuss disability, and that left me resentful, but as I have matured and grown, both as a person and professionally, I have realized that disability is a part of the nuance I bring to my work. The lens of disability has allowed me to get creative on the days my body won’t allow me to work at all. Shaping the way I approach work, disability is at the center of my work particularly in holding myself and others accountable, as well as giving me the opportunity to be assertive in what I need in order to create and when I need to say no. The truth is this: disability does shape my writing process from beginning to end in precious and obvious ways, but more important than words on the page, is the ability to shape me as a person. I am such a cliché, friends!

You can read the full discussion here.

And access our special issue, “Experiences of Disability.”

Our Newest Issue: Experiences of Disability

September 15, 2020 § 2 Comments

We’ve posted our new issue this morning and we couldn’t be more pleased. The brief essays in this guest-edited special issue consider all aspects of illness and disability: what it is, what it means, how our understanding of disability is changing. The issue’s authors explore how disability is learned during childhood, lived over the entire course of a life, and how our changing understanding of disability shapes the way we experience ourselves and others.
Our anchor author is novelist and essayist Esmé Weijun Wang, author of the New York Times-bestselling essay collection, The Collected Schizophrenias. Other authors featured include Barbara Lanciers, Meg Le Duc, William Fargason, Ona Gritz, Kelly Weber, Maya Osman-Krinsky, Tiffany Promise, Ellen Samuels, Laura Brady, Jeanene Harlick, Amie McGraham, Katie Schwarz, Caroline Bock, and Erin Vachon.

The “Experiences of Disability” issue is guest edited by Keah Brown, Sonya Huber, and Sarah Fawn Montgomery. Artwork by Jill Khoury.


Read the new issue here: https://brevitymag.com/

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