How Many Drafts Must a Writer Draft?
September 21, 2015 § 37 Comments
How many drafts must a writer draft
Before you call it a book?
How many times must you read the text
Before your editor looks?
Yes, how many times should it be revised
To get a reader hooked?
The answer my friend is seven.
**
Last week I was invited to speak to Wrimo India, a group of participants in National Novel Writing Month (NaNoWriMo) who formed their own writing support group on Facebook and also do in-person meet-ups to write, talk writing, and write some more.
We met at a coffee shop in Mumbai and live-streamed the chat through Periscope so non-local writers could join in and ask questions. One of the best questions, though, was after the camera was turned off:
How many drafts do I need to write before hiring an editor?
First, let’s deconstruct. Not everybody needs an editor, so let’s look at this question as:
What kind of shape does my book need to be in before I spend money or use up favors to get outside feedback?
Many writers finishing a book for the first time don’t yet have a method of working their way through subsequent drafts. Where do you start? How can you tell what needs fixing? How do you know if the book is even worth another draft?
As a freelance editor, I see a lot of the same issues in everyone’s essays, stories, memoirs and novels. Technical issues like wrongly formatted or too many dialogue tags. Voice issues like inconsistent speech or characters who sound the same. Point-of-view issues like head-hopping or characters being able to see or understand things they don’t have access to. As an editor, I can note these issues for authors who want to fix them, or address them myself for authors who want to throw money. But most of these issues can be found and reworked by the author before they spend money on professional editing or use up a “please give me feedback on my manuscript” favor. It’s time-consuming and thinking-intensive, but it’s not a secret or a talent–it’s a skill anyone willing to go through seven drafts can acquire.
Here’s the seven-draft method:
The Vomit Draft: get it out get it out! It doesn’t matter if all the words are spelled right. Don’t worry about complete sentences because. Sure there’s a plot hole big enough to drive a truck through, and in the second-last chapter you realized you really do have to put Aunt Nancy in this book. Just finish. If you hit a place where you don’t know what to write, put in a placeholder like “NEED SCENE WITH MOM HERE SOMETHING HUMOROUS,” or write about the scene that belongs there, like “That time I was in the kitchen and Steve touched the stove and I just knew we were going to break up because of the way his fist wrapped around the salt shaker.” Then let the manuscript sit for a week.
The Story Draft: take a look at the manuscript, and for each scene write one sentence about what happens in that scene.
While driving home from a wedding, I find a stray dog.
I take the dog home and keep her over my girlfriend’s objections.
My girlfriend demands I choose between her and the dog.
I go get a haircut.
During this process, you’ll discover any places that the plot doesn’t make sense, is missing a big event, has a random extra scene (why the haircut?) needs another character to show up, etc. This is also the time to fill in any placeholders from the first draft. Revise the manuscript accordingly and let it sit for a week.
The Character Draft: For each character, go through the book and read only their parts. If this is a memoir, this is the time to make sure the protagonist’s actions and reactions seem motivated and urgent. Make sure the characters only know what’s in their heads and only see what they can actually see. For example, four-year-old child-you can’t see the top of the kitchen counter. Adult-you can guess at other people’s thoughts but not omnisciently know them. This is also a chance to go through the dialogue, character by character, making sure that each person sounds like themselves, and that it would be pretty clear who is speaking even without dialogue tags. If you’re writing fiction, you may discover that a character needs more on-page time in the book. Revise, let sit.
The Technical Draft: Working chapter-by-chapter, does each chapter end with both satisfaction and forward motion? Does each chapter start with a compelling action or image? With each scene, have you gotten in as late as you can and still set the scene, and have you ended the scene as early as you can and still have it feel complete? Are there extra words? Sentences that don’t make sense? Refine your authorial voice in this draft. By now you should know what you want to say–this draft is about how to say it. It’s also useful at this stage to do a search-and-find for -ly and remove unnecessary adverbs; to eliminate as many “was verbing” constructions as you can, and check on words you know you overuse. Revise, let sit.
The Personal Copyedit: Not to be confused with an actual copyedit, this is an easy draft. Run spellcheck with the grammar turned on. Print out the manuscript and see what shows up when you’re turning a physical page. Read it out loud and catch errors that your eyes got used to on the screen. This is the be-kind-to-your-reader draft. Yes, it’s still a work in progress, but you want it to be a pleasant experience for the next step…
The Friend Read: Sometimes called a beta read. This is where you exchange manuscripts with a writer pal, or call in favors from the people who keep offering to read your book. It’s best to arm your friend with some specific questions: Did the story make sense? Where did your attention flag? Which character do you want to see more of? Was anything distracting from the main story? When you get their comments back, try to get them in writing, even if that’s you taking notes while they talk. Do not defend your book. Do not assume they missed something. Set the notes aside for a couple of days and then go back and see what rings true when your feelings have cooled down. Revise accordingly.
The Editor Read: This still doesn’t have to mean forking out cash. This can be the first time you send it to your agent, if you’re working with an agent. This can be exchanging manuscripts with someone you know to be harsher or more technically-demanding than the previous reader. And yes, it can also mean hiring a professional editor or writing coach. But this is the draft where it’s worth either spending money or calling in a big favor (and you’ve been reading for other people as much as you can this whole time, right?) Before you send it out, read it one more time yourself. Knowing that a big read is imminent, more issues will stick out to you.
These seven drafts are often more than one draft each. You might do three Story Drafts, or two rounds of Friend Reading. Some drafts take days, some take weeks or months. You might backtrack and revisit the Technical Draft after doing an on-paper Personal Copyedit. Let it sit for as long as you need to between drafts. And for at least a couple of drafts, print it out, edit the manuscript on sloppy, satisfying paper, and retype the whole thing so you can feel the flow.
I’ve found this method to work for everything from essays to full-length memoirs and novels. If you try it, let me know how it goes. And if you’ve got a different method or a variation, please tell us about it in the comments.
__________________
Allison K Williams is Brevity’s Social Media Editor and the author of Seven Drafts: Self-Edit Like a Pro from Blank Page to Book. Want writing news, events, and upcoming webinars? Join the A-List!
A great method but the one I would grab is the reduce every chapter into one sentence, but there is so much in this that we all should print it out and put it where we will read it.
This is perfect! I started writing a novel, and I was working on the “Vomit draft”. Immediately, I would re-read it afterwards and think, “wow, this is horrible. This is not worth writing”. I think perhaps I am too hard on myself. Maybe if I write the vomit draft without re-reading it, then it will finally get done! Great post and thank you!
Love this! thanks for sharing Allison
this is awesome share. Yes we need to define the drafts and their objectiveness. PErfect.
I stay in Mumbai and yet i missed this one. 😛
got to get more social it seems. Ironically I posted something very today on the subject of clubs and meetings.
some timing.
Thank you. I shared this on my blog and with a group of writing friends. Revising makes all the difference. I love the delineation of the different drafts and the one sentence suggestion.
Thank you. I think you are kind of amazing every time I read one of your posts.
Aw, thanks!
This is super helpful! I’m at that point of draft 3 so appreciate this guidance for how to tackle.
Love this. I am further along that I may have given myself credit. I’ve word vomited all over the place and have been doing story drafting (in notes and in my head and in my sleep and in my car and in my shower…) for months.
Excellent! Go Go GO!
Or you can do what Arthur Conan Doyle did:
“My methods of work are not made out to any particular plan. I write when the mood is one me. I never dictate a single work, but write the entire story with my pen. I write slowly and very seldom make any corrections afterwards. Often when I have done so I have found the result so unsatisfactory that I have restored what I had originally written. If I do make an alteration it usually entails reconstruction of part of the story. First impressions always seem to me the best.”
In other words, try one method, try another, and decide for yourself.
The Bronte sisters were also pretty sturdy on thinking everything through before drafting conscientiously 🙂
Well, bpeschel, I’d have to say I agree with Sir Arthur’s method. And I also find that my own first impressions are the best. Furthermore, I find that if any editors make any corrections to my manuscript, I find them as unsatisfactory as Sir Arthur would have done. But then, maybe I’ve just been unlucky with the editors I’ve worked with. Or maybe, most modern editors are institutionally inured into giving bad advice which has the effect of generally ‘dumbing our writing-styles down’. Either way, I still agree with Sir Arthur. However, I doubt that he would stand more chance of getting published in today’s market than me, with attitudes like ours 🙂
LOL!
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This came exactly when I needed it. Thanks, Alison. You are an amazing communicator and teacher. I plan to share (after I use it first!)
Please do, I’d be thrilled if your students find it useful!
This really is perfect. Very helpful for writers at any stage of their novel. Thanks, Alison!
You’re welcome!
I’m glad I was one of few who got to actually hear you speak about this. Thank you so much for putting this into words so that I can bookmark and/or print this out for reference. ❤
one of *the few *people
(hangs head in shame)
No, you were totally correct! “People” can be elided! And Neil’s post summarizing the meeting deserves credit for prodding me to write it all out 🙂
Reblogged this on CL Pauwels at Large and commented:
I’m in the middle of 6 of 7…how about you?
[…] Source: How Many Drafts Must a Writer Draft? […]
Excellent advice!
[…] I first saw Brevity’s blog post on Seven Drafts, my reaction was unfit for print. Well, it was unfit for professional publication, […]
[…] How Many Drafts Must a Writer Draft? (brevity.wordpress.com) […]
If I could “like” twice, I would . . . an effective guide to staying focused. Thanks for this.
Reblogged this on I.H. Laking and commented:
Love this!
[…] Remember: this is just the first draft. The faster you get it done, the faster you can go through the numerous drafts you will inevitably write. […]
[…] How Many Drafts Must a Writer Draft? (brevity.wordpress.com) […]
I saw your interview in Mumbai and today read this blogpost. All I can say is THANKYOU
You’re welcome!!
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Great tips here!
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