Are You Too Young to Write a Memoir?
October 28, 2022 § 19 Comments
By Jessica Gigot
When I told my mother about my new book project, a departure from poetry, her first response was, “Aren’t you too young to be writing a memoir?” The question was jarring. I was in my late thirties at the time and had been writing and publishing poetry for several years. Prior to that I had been a researcher, penning scientific articles for journals like The American Journal of Potato Science and The International Journal of Fruit Science. I was, by all accounts, ready to write a book.
My initial response to my mother, who I don’t think intended any harm, was to point out that this was memoir and not autobiography, a genre that generally contains the entirety of one’s life, follows chronology, and is usually written by a famous person or established personality. Although writing A Little Bit of Land wasn’t a conscious decision—a few poems that never felt right morphed into personal essays that eventually became a memoir—I felt emboldened to branch out into this new genre. I told her that I was not trying to capture the entirety of my young life, just telling a specific story. The process of winnowing out all the details and sticking to a central question—how and why I had an insatiable longing to learn about farming—was the hardest part. I felt a deep sorrow every time I cut out a relationship or event that didn’t resonate with the thru-line.
While my mother’s question continues to echo in my head, I can’t help but think about age, time, and memoir. How much experience is needed to create a good story? How much daylight do we need between life and writing before we can craft an honest and true story unadulterated by revenge or deep grief? As humans, we are growing and evolving all the time which sometimes makes it hard to find a solid and resolute ending.
Carolyn Forché’s engrossing and successful memoir, What You Have Heard is True: A Memoir of Witness and Resistance, focuses on her traumatic and transformational time in El Salvador in the late 70’s and early 80’s. While her poetry reflected this experience (“The Colonel” from 1981 being one of her most well-known poems), it took Forché a long time (almost fifteen years) to write the memoir. In an interview with Commonweal Magazine, Forché recalls why she didn’t consider writing this memoir until 2003. “It took me that long to mature and to process my experience.” Forché’s book, a finalist for the National Book Award, was worth the wait.
Some books, like Michelle Obama’s Becoming blur the lines of memoir and autobiography while several authors and poets have written multiple, stand-alone memoirs about various parts of their lives, such as Mary Karr, Joy Harjo, Vivian Gornick, Claire Dederer, and Elissa Altman. Contemplation of the many faces of one’s life, finding meaning in the decisions we make and the unpredictable events that happen to us, like illness and infidelity, is the tough work of the memoirist at any age. The quotidian, as well, can be a wellspring making this genre complex and unique.
Memoir is evolving, thanks in part to new and creative structures that place the focus less on the speaker’s accomplishments and more on the depths of their interiority. E. J. Koh’s masterpiece The Magical Language of Others, which uses old letters as a lens, or the delicately layered Yellow House by Sarah Broom, teach us what there is to learn if we look closely at a key aspect of our history over time, like a relationships or structure. Memorial Drive: A Daughter’s Memoir, by Natasha Trethewey, is the difficult story of her own mother’s murder. In an interview with Southern Books Review she recalled, “In hindsight, I can see how much I tried to resist writing this book and writing certain parts in particular. I sold the proposal in 2012 and didn’t turn it in until 2017.” Part poetry, part case files, Trethewey’s compelling book is less about plot and more about the social context of her mother’s life, grief, and their relationship.
Zibby Owen’s Bookends, which came out in July, documents her journey from young adulthood to motherhood on the upper eastside of Manhattan to her newfound fame as a book mogul. All along she alludes to her desire to be a writer and the redemptive role of literature in her life, especially during periods of grief. One of the more piercing parts of this book is the death of close friend in the 9/11 attacks. Writing about and reflecting on her friend’s tragic passing has taken time and Owen confessed in the book that this story had many previous iterations. Coming to memoir was the shift she needed. “I wanted the chance to tell my own story from the beginning and not have to hide the truth behind a novel.”
While age and time might be irrelevant, creating a good memoir requires ample room to process, to see our past selves apart for our current one. Who was I then and who did I become? What happened and what did I learn? As the poet Mary Oliver writes, “To pay attention, this is our endless and proper work.” The readiness of the memoir largely hinges on the readiness of the writer to finish the book objectively and with an editor’s eye.
So, Mom, I know I am not Eleanor Roosevelt. However, I am a writer who observes and learns from my life. And there are more stories to tell. Memoir might not always feel like the right container, but I am grateful for the clarity and inspiration this genre continues to offer.
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Jessica Gigot is a poet, farmer, and writing coach. She lives on a little sheep farm in the Skagit Valley. Her second book of poems, Feeding Hour, was a finalist for the 2021 Washington State Book Award. Her writing and reviews appear in several publications such as Orion, Ecotone, The New York Times, The Seattle Times, and Poetry Northwest. Her first memoir A Little Bit of Land was published by Oregon State University Press in 2022.
You emphasize “learning” from experience, which is essential to my way of thinking. Some memoirs are beautiful narratives of suffering and triumph but demonstrate no growth or revelation. I look forward to reading yours!
I agree! The craft of how to creatively show that learning is one of the things I love about memoir!
One is never too young or too old to reflect. Bravo to you!
Thank you and I believe we all have multiple memoirs within us.
I love your book, am planning a review, and hope millions of people read it. Tell your mom it was worth your effort.😊
I will and I appreciate your time and consideration of my book.
Hats off to you, fellow poet and Washingtonian… (I am down the 405 freeway in the Seattle area).
I’d love to read more of your work, especially your poetry, Jessica.
Do you have a website or links where I can I find you?
Many thanks!
Very nice piece. Glad I read it!
Thank you!
Yes, thanks! http://www.jessicagigot.com
Beautifully written, thanks!! I’ve been writing memoir essays and wondering what to do with them. I feel like I’m also “too young” and have to wait for something more interesting (and joyful) to happen in my life before I share them!
Thanks for reading! I hope this helps in the decision process of when to share.
I love memoirs. Everyone has a story to tell!
I agree!
Thank you, Jessica! I have felt (or assumed others would feel) the same as your mother about the idea of me writing a memoir at my age. What you’ve shared helps me look at the genre in a new way and releases me to consider it as an option for myself🙂
I am so glad! Memoir is meaning making at any age.
Great article! And you’re right, it’s important for people to remember the distinction between memoir and autobiography! And you can always blur the lines too and combine them both as you mentioned Michelle Obama did (too many people gatekeep writing, just write your heart!) I wrote and got my first memoir traditionally published when I was only 23 and a soldier fresh back from Iraq. We all have stories to tell and sometimes, if it’s possible, it’s better to tell them when you’re closer to the subject matter rather than years away from.
Good point! Close but not too close.
Great piece! What struck me was your mom saying you were too young to write your memoir… *My* mom told me I was too *old* to be in a folk-music band! (I was 37.) My takeaway is, their opinions don’t count for much! Lol!